Wednesday, November 4, 2020

Move Right Along Dept. - Light Album

I'm hoping this post will go unnoticed in the heady excitement of the U.S. election. It's an indulgence. But it's an album configuration that's given me massive pleasure overload, and so here it is. I apologise. Please don't download it or even finish this post. Go away, and leave an old man alone with his harmless pleasure in the twilight of his life.

L.A. (Light Album) was the last full Beach Boys album. Brian hardly figures at all, but that's okay, that was his role back then, that's what they paid him for. The key players are Carl and Dennis, and if you dismiss this album (as most critics do, with language more suited to judging mass murderers) you're missing some excellent late work by the brothers. Bruce Johnston And His Eternal Fucking Shorts came back in, but his contributions are production and singing, and he's swell at both. So what's the problem? Why does this near-great album get such a kicking? Disco, mainly.

Unforgiveable, right? W.T.F. were they doing? Re-imagining one of their old Rn'B stompers as a ten-minute disco workout was a crazy idea, inciting Beach Boys fans to tiki-torch protests and creating a tsunami of meh among the glitterball crowd. But if you can purge yourself of all that cultural conditioning and listen - don't dance - you're rewarded with an extraordinary piece of music. Curt Becher helped produce, so you know it's going to shimmer. Think of that pounding beat as hip motorik if that helps. Or the four-on-the-floor pump of the Hot Club. Screw in your ear buds and listen to everything else that's happening - mainly the amazing full-on Beach Boys harmonies, the almost symphonic development you don't usually hear in disco, and that million-dollar-delicious sound.

Shortenin' Bread
? Filler. It's gone, because it's shit, and I don't care if you do like it. So that leaves two Tracks Of Cheese by the Cheese Boys, Mike and Al. They don't stink. Pretty melodies, nicely sung, what the fuck. It's a Beach Boys album, and we should allow for this stuff.

I've added California Feeling as the lead-in track. Slated for the album, this is the composite from the Made In California set. I've not included a couple of other possibles because they're excess Cheese Brothers, but Dennis' Constant Companion (originally intended for the album) from Bambu fits fine. Carl has two of his swooniest tunes, and what not there like to is?

Critics seeking hip credibility praise Love You and loathe this album. But they don't have a lounger in the shade on th' Isle O' Foam© like you do. Relax, while there's still time!

22 comments:

  1. I've always liked (most of) this album. I must confess I wasn't a fan of the reworked Here Comes The Night, one of my favorites from Wild Honey. Dennis' songs are sublime and I LOVE Angel Come Home. Bring it on...

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    1. I hope you enjoy it, John. Headphones, lie back ... think of it as an audio massage session, not something you have to critically assess.

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  2. At risk of repeating myself (like an overlong '70s 12"-er...?), as I've raved before here, the "Here Comes The Night" to hear (& then laugh, cry, whatever you like) is the "disco mix"...

    I think this is it?:

    https://www.discogs.com/The-Beach-Boys-Here-Comes-The-Night/release/1472177

    Weird. Those Wackiepedians say that it is shorter than the album version. Either way, I own none of the above. Is that bad?

    https://en.wikipedia.org/wiki/Here_Comes_the_Night_(Beach_Boys_song)

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    1. The long album version is longer than the short 7" single version, which is shorter than the 12" disco mix, which is also the long album mix.

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  3. Cast your vote for Excellence In Musical Entertainment here!


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  4. That might be interesting to know. What FMFs have had the MOST "Votes" in 2020....

    Anyhow, thanks for this. I think...(?!)

    Some of these other guys are looking better & better all the time.....

    https://www.buttonmuseum.org/search/node/Snoopy%20for%20president

    Where's Pat Paulsen when we need him?

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  5. Forgot this part:

    https://www.buttonmuseum.org/sites/default/files/PO-pat-paulsen-for-pres-button_busy_beaver_button_museum.png

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  6. I purchased this album on release whilst living in England with my new Australian family.We didn't have a TV so listened to this endlessly whilst imbibing numerous jazz gaspers, which might explain why I could enjoy the "disco" track & would stare
    at the cover for hours.
    Sometime later my 3 year old daughter decided to help me by cleaning my copy of "Keeping The Summer Alive", she thought glue might do the job but perhaps she wanted to spare me the pain of listening to it.
    Token political comment - it was great to see Messrs Wilson & Jardine condemning & disassociating themselves from Mike Love & his ersatz BBs for consorting with Trump.
    Why wasn't I surprised that Mike Love was a Trumper?
    Is it premature to say that the endless bummer is finally over?
    All the best
    The Rev.Dr.Baz



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    1. Yup, KTSA is irredeemable, as is MIU (a Cheese Bros. production) and everything else right up to That's Why God Made The Radio, which was, under the circumstances and on its own merits, a beautiful album. I hope it's their last.

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  7. Well, when you know that the Cheese Bros. M.I.U. album, on which the real creative forces (Dennis & Carl) barely participated was a hasty rejiggering of a refused proposed Christmas album, it's obvious how that album couldn't be anything but a fucking disaster. It also explains how hokey MOR shit like "Bells of Paris" (né "Bells Of Christmas") came to be.

    "Keepin' the Summer Alive" is the drizzling shits as well, though i do like "Livin' With A Hertache", even though that's more of a Carl solo track (even the harmonies aren't by the group). 1985's "The Beach Boys" is mortally wounded by most songs courtesy of the CheeseBros. and completely done in by the horrendous production of its time. But it does have "Where I Belong", one of the most beautiful BB tracks with a sublime lead vocal by Carl.


    I also have a soft spot for "Somewhere Near Japan" and, uhm, "Kokomo" which is a fun throwback (unlike Mike's usual attempts at these things). You can probably make a single good album from the Beach Boys' 80s stuff.

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  8. Oops, I completely forgot to agree on the merits of "L.A.". Agreed on the fact that this is the last 'good' as well as the last 'real' Beach Boys album. I would say it's clearly their best since the classic "Holland".

    And while I agree that the shimmering production on "Here Comes The Night" is really well done, almost eleven minutes is just mindnumbingly long.

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    1. Ahh ... you're the guy that found sitting through a sixty-second synth solo too demanding!

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    2. That depends on the synth solo...and whether the "sixty seconds" aren't secretly more like three minutes. Or at least feel like it.

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  9. So, here comes the night, again.

    I have thought about reworking L.A. a little, but haven't got around to it yet. So, this post kicked my ass to at least do what would be the first order of the day - get out all the boring and redundant stuff out of "Here Comes The Night". So, yes, the one minute synth solo stays, but the long and boring intro gets chopped in half and the last three minutes which are essentially a long, repetive coda of moments already heard in the version can kiss its boring ass goodbye.

    Since the opening felt incomplete I created a new one. But the dynamics of the song which you describe above, Farq, including the build isn't touched by this at all. I think I just cut the chaffe, leaving just the song, but hey, you (and the four or five guys, if interested) decide. So "Here Comes The Night" that gets the job done in about half the time.

    And since I don't know yet how I would arrange my alt of "L.A." I did another thing I was toying with, putting "Here Comes The Night" and "Constant Companion" together as a disco-medley. Which still runs almost two minutes shorter than the original "Night".

    https://workupload.com/archive/w9yJa9dV

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  10. All this, and L.A. was not to be their weakest record. Thanks, but I need to go listen to Paul Revere and the Raiders...

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  11. Beats the other potential possibliities. . . .

    Hmm... '70s "guy groups" who'll never see the "Light" of an FMF posting...

    Bay City Rollers?

    Bo Donaldson & the Heywoods??

    Sweet???

    (Or sour, depending on if your guy won or not...)(Don't spoil it for all us who have decided to turn off the news...)

    Bring on PR&TR. We are due for SOMETHING Revolutionary................

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  12. Indulge me, friends.

    So Farq's post of this secretly pretty good album kicked me to finish my often thought about alternate of this. And indeed, as with "Here Comes The Night" discussed above, I do go further in re-arranging things.

    The one outside track I decided to bring in the mix is "It's Not Too Late" from Dennis' long-gestating and never finished Bambu album because it's simply magnificent. And since the sentiments and voices in this and "Baby Blue" are so complimentary I decided to combine them into a single song.

    The other big change is Carl's songs. I always found the saxophone solo in "Full Sail" way too MOR, so it had to go. Plus, again the sentiments of both this and "Full Sail" always felt so complementary that I combined these into one track, together with a little coda.

    So both album sides (in old vinyl terms) close with a suite.

    This is not supposed to be competing with Farq's post in any way, but rather as a complimentary listen, if anyone so desires.

    https://workupload.com/archive/agZHWJRZ

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  13. last time i saw the boys, they were on a stage of the jut-out opposite the Lincoln Memorial, May 1971. They played so hot i fell asleep right there. When we woke, there was a wall of cops in riot helmets and shields, telling us we had 5 minutes to vacate the premises. I remember a man waking up nearby, standing up and shaking off then sayng "Where Am i? Who am I? Who's clothes are these?!" I encouraged him to follow as i saw the narrow gap the police had left for those of us who chose to run. Not sure if he did follow, but it didn't really matter. By the end of the next day they had 40,000 of us in jails around town. I never knew Why the Beach Boys were there, fer chrissake.

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