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Th' Foamobile™ |
Mission Statement: to do very little, for very few, for not very long. Disappointing the easily pleased since 1819. Not as good as it used to be from Day One. History is Bunk - PT Barnum. Artificially Intelligent before it was fashionable. Fat camp for the mind! Nothing lasts, but nothing is lost. The Shock of the Old! Often bettered, never imitated. "Wenn du lange in einen Abgrund blickst, blickt der Abgrund auch in dich hinein" - Pauly Shore.

Oh, I'll admit that at first, when she vouchsafed that it was I of whom she fantasised as she writhed naked on the studio floor recording Eternal Flame, I was flattered. But her persistence - four, five times a night, readers! - quickly became irksome. And recently there's been something undignified about her increasingly desperate attempts to slake her womanly thirsts at the Fountain of my Manhood.
But when she offers me rare recordings - that I know will be enjoyed by th' Four Or Five Guys© - in return for another bout of my priapic prowess (much in demand to cure the Gentle Sex of the Curse of Sapphism) I find it hard to resist. I do it for you, dear readers.
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| Look, just LOOK at how she holds the neck of that guitar. Good lord. |
Some of Garage Music eventually saw the light of day as The Lost Album, but this is the real deal, including a track with Mike Myers and other songs that didn't get included on the re-think. My cover shews Ms. Hoffs in the actual garage where the music was recorded, in the actual year, and this is the extra yard I go for you feckless ingrates.
Turning Over Susanna Hoffs (something that is, alas, all too familiar to me), is from a few years earlier, and again versions of some of the songs appeared later on official releases.
They're both grand albums from a swell tomato.
This post made possible thru my selfless mastery of the Couch of Concupiscence, the Divan of Desire, the Chaise Longue of Shag, on your behalf. Don't thank me, it'll sound insincere. Just grab the consarned albums and amscray, ya bum.
"Even before the Los Angeles-based Paisley Underground took shape, the Sacramento/Davis area of Northern California was an early focus of Paisley Underground bands and musicians, some of whom later moved to Los Angeles. The Suspects were a Davis-based predecessor to Dream Syndicate, formed in 1979 by guitarist Steve Wynn and bassist Kendra Smith (who were both disc jockeys at college radio station KDVS at the time), with Russ Tolman on rhythm guitar and Gavin Blair on drums. They released one single in 1979, and performed in the Davis area through 1981. When Wynn and Smith left for Los Angeles in 1981 and formed Dream Syndicate, Tolman and Blair remained in Davis and started up True West."
This post funded in part by Dave's Famous Old Guy Underpants© out of Pismo Beach, CA. "Cut slack and high waisted, the way you like 'em! Now available in these five popular colorways - Off-Off-White, Damp Sack, Marine Mold, Yellowish, and classic Nose Paste. Ask to see our Pre-Stain™ range for the doubly incontinent!"
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| And yes, this is the vinyl cover. You can be too obscure! |
So this is my request to you - if you have it, or know somebody who does, please do me - and just about everybody else - a big favour and upload it!
Thanking you in advance.
McGavock Gayden is an insanely rare album. Recorded in Nashville, only released in the UK. They did it proud with a nice and suitably enigmatic gatefold, but it barely made the shelves before being forgotten. I think Mac made it briefly available as a CDROM, but it never got a re-release, somebody lost the tapes. Brilliantly produced - layer upon layer - by Bob Johnston, it sounds like a heavenly host, but it's mostly just him, some help with backing vox, and Kenny Buttrey on drums. Look it up on Allmusic if you want to see the impact it made.
It's been on th' IoF© before, but only in a crackly vinyl rip, the best anybody could find at that point. So when my pal Andy sent me this pristine rip, it was like hearing the album for the first time. It's not lots of things; not Americana, not folk, not country and/or western, not rock or folk-rock, not prog, nor any other file-under. Songs stretch out and wander where they will, regardless of market potential. It's a very long album, fifty minutes, with no hint of a hit single, and not a note wasted.
He'd make two other superb albums in the seventies, before ducking out of whatever spotlight managed to find him, a respected session guitarist and performer. But it's those three albums, McGavock Gayden, Skyboat, and Hymn To The Seeker, that'll find new fans as long as there's music in the air and hearts to hear it.
Pass it around.
Thanks to Andy!