Tuesday, November 30, 2021

Dune It Again Dept.


Sunday's Lynch reference came about on account which I recently re-watched his largely dismissed (especially by him) version of Herbert Frank's epic Dune. I'd been among the first to fling fæces at it on release. But there's much to admire and enjoy, and in some ways it's superior to Villeneuve's style sheet. Mood, for one. There's a real feeling of poisoned dread, of intergalactic heaviosity, that leaks direct from Lynch's brain-stem. No amount of C.G.I. can improve on the old school art direction, set and costume design that give the movie its monumental nightmarish feel. F'rinstance - in the first  scene, the entrance of the Guild Navigator (whatevs) in a kind of mobile nuclear bunker/iron lung thing is authentically scary. Compare and contrast with Villeneuve's treatment of <wtf>the same</wtf> a totally unrelated scene, which plays like a debutante's ball, with about as much threat as a dropped handkerchief.

There's a lot to regret, too. The primitive computer effects are sometimes jarring. Kyle MacLachlan's snow-plow jaw is no match for Timothée Chalamet's storm-tossed coiffure. The story ... well, the original book had trouble with that too.

There'll be an opportunity to re-see in the comments, at a pretty decent quality. Also Toto's (TOTO!?) Original Soundtrack album [left - Ed.], with theme input from Brian Eno.

A note about the various versions: avoid the so-called extended cut, so loathed by Lynch that it's credited to Alan Smithee ("A Alan Smithee Film"), and features the worst first ten minutes of any movie ever - terrible, really terrible, illustrations with an expositionary voice-over. There are fan edits out there, of course, but none is the movie we want this to be. Lynch gets closest.

Sunday, November 28, 2021

David Lynch's Toilet O'Tunes Dept.

Foam-O-Graph© on a roll!

Dishy David
Lynch is of course celebrated for his family values comedies for Disney, such as Eraserhead and the long-running sitcom Twin Peaks, but did you know he listens to music solely in his toilet? He's had the bowl connected to a record player in the next room, and spends hours in there, often receiving guests while they audition his latest album purchases!

FT3 Whence came this idea, Dave?

DL [laughs] It was during a visit to Fabulous False Memory Foam Island©, Farq, as well you know!

FT3 [laughs]

DL You were so gracious as to shew me Sir Kubrick's Tub O' Tunes -

FT3 Do you mean https://falsememoryfoam.blogspot.com/2021/04/stanley-kubricks-indie-rock-bathroom.html?

DL [laughs] So naturally, as a major motion picture helmer myself, I had to add my own Lynchian twist to the proceedings! [makes fart noise]

FT3 [laughs]


Can you identify the music emanating from the Lynchian Loo, subscribers? There's a Grand Prize of some wonderful car seat covers for the lucky winner! Clew in the comments!











(Feel free to use the above space to add your own toilet door graffiti!)

Son Of Sitarswami's Sons Of Bitches Dept.

 

Three more from S. Swami's stockpile o' post-Miles Nippon Jazz.

Bowel-clenchingly rare grooves that'll impress your pals - should youse bums gots any.

There may be more, so stay tuned and no flipping!

Saturday, November 27, 2021

Gorgeous Women Make Gorgeous Albums Dept.

Thieving bastard gene-burglars, yesterday.

Life's a bitch. I was looking at this picture of Ewan MacGregor and his fighter pilot brother [above - Ed.] and wondering how they hijacked my birthright handsomeness quota. Thieving bastard gene-burglars. Similarly, supermodels Milla Jovovich and Carla Bruni seem to have received more than their fair share of D.N.A. bounty. That they should also be prime musicians must rub salt in the wound of every lesser-endowed woman. Or not - what know I of woman, that eternal mystery?

On the other hand, maybe we should cast bitterness and resentment aside and rejoice that human beings can be beautiful and talented - a devastating combination. Carly Simon, f'rinstance ... brb ...

But hey! We're here to throw petals at the feet of these swell first albums. Carla went on to record many more (mostly better) albums, and was FoamFeatured© antecedently - an honor of which she speaks with the most touching humility. Milla mostly found other stuff to do, managing to miss out on a steamy three-way love romp with me and Carla on the way. Her loss.






Thursday, November 25, 2021

John-Boy Kennedy's Psychedelic Psitting Room Dept.

Gran'ma Kennedy wins this weeks kwiz!

You'll know
hunky dreamboat John-Boy Kennedy from the long-running T.V. series The Kennedys, chronicling the lives of an inbred hillbilly family on Kennedy Mountain. But did you know he's also a keen collector of psychedelic vinyl?

Study the above Foam-O-Graph© [above - Ed.] and see if you can identify his favorite album! Note almost-hot sister Mary Ellen, tripping balls in family sitting room! Note retarded younger brother Jason, all gussied-up for the hoedown!

Well, youse bums lost. Face it. No soup for you!





Wednesday, November 24, 2021

Andinhereagain

Back, way back, when smoking was good for your throat and rotary telephones with real bells allowed people to talk to each other at great distances, I ran this piece, which I think was seen by two people. If one of them was you, I apologise. But I'm listening to it as we speak, and consarn it, it deserves the wider exposure that Four Or Five Guys© can give. Sohereitisagain. You'll dig it.

Love's Out Here doesn't get played much. The most obvious reason for that is the toxic drum solo, ten minutes of ballsaching tedium that perhaps not even another drummer could sit through. But there are plenty of other perfectly valid reasons to pass the album by. A metric shitload of filler, for one. A dreary remake of Signed DC that nobody was asking for. A running order that seemed to have been arrived at by chickens on cocaine. A general feeling of sloppiness, not knowing when to stop, coupled with a strangely under-finished production. The list goes on. I absolutely blame the drugs.

I've struggled with this damn album for years, and I finally arrived at something worthy of Arthur Lee. I had to be brutal. The sprawling double album [doubles are frequently said to "sprawl", something a single album apparently finds difficult - Ed.] is reduced to a single, with a "soft" side and a "hard" side (starting with Stand Out).

The first step was easy. Cut the drum solo. Yay! Then I kicked the filler to the curb. You won't notice it's gone, and I'm not going to list it. Then I cut the sub-par songs, the ones that are kinda, hmm, okay, I guess. They went. Then it got a little difficult. Reshuffling the remains didn't work. Some songs outstayed their welcome, or were too short. The freakout guitar freakout freakout - which as these things go is first-rate - was in the wrong place. I dissected everything at granular level in Audacity, and edited it and sequenced it, after long trial and error, into the sumptuous musical thrill-ride I offer to you here.

What I can't do is give the whole thing the production it needs, the full Record Plant make-over that would have transformed it into the hit album - no, really - that it shoulda coulda. Although it lacks the highs of Four Sail, overall it's a stronger album. If you think that's an unrealistic claim, give it a listen. It's like hearing it for the first time.

Tuesday, November 23, 2021

Aurora Arborealis Dept.

Trees wus swell. Two albums for major label CBS in the U.K. of England that I don't think made much of an impact in the U.S. and A. Folk-rock, leaning towards the rock, lovely vox from posh bint Celia Humphris, hoedowns and acid freakouts, and a stunning, unforgettable cover for their second, On The Shore [leftish - Ed.], which we stared at while the tin angel chimed over the candle and our eyes glittered with Afghan black.

Then they broke up, reformed with a different line-up, and recorded demos for a third album, which got a gray release as Trees Live! (with the obligatory! exclamation mark! for excitement!). 

On The Shore got a baffling re-release with a selection of pointlessly remixed tracks (unless the point was to demonstrate how perfectly okay the original mix was), plus a couple of tracks from the third album sessions, which I've added to the bootleg, which isn't exactly kind to Steve Hoffman Snowflake Ears, but the music is dizzyingly good. 


Monday, November 22, 2021

Sitarswami's Sons Of Bitches Dept. - EDIT!!!

Surfing the Van Allen Belt over the weeekend, our pal Sitarswami discovered these exciting and rare musical life-forms. But - bitches, Mr. Swami?

Sitarswami [laughs]: Bitches Brew that is. Miles Davis' new directions in music, i.e. going electric, had a major influence on jazz around the world, and perhaps more so in Japan than anywhere else. For your pleasure, from 1969 & 1970 respectively, are two offspring: Teramasu Hino's Hi-Nology, and Masabumi Kikuchi's Poo-Sun [snicker - Ed.]. And as a bonus, Takeshi Inomata Group's Jazz Rock in Stravinsky from 1970. 

This is fantastic stuff, and there's more to come. Like, digsville!


EDIT: Don't miss the second batch from Mr. Swami in the comments!

Saturday, November 20, 2021

Wandy Wandomguy's Womper Woom O' Wandmoness Dept.

 

DO NOT LOOK AT THIS IMAGE - DANGER OF EPILEPSY


HEY! It's Thursday! Time for our weekly weekend dip into the wacky world of wandomness with our lurking host Wandy Wandomguy, taking a break between modelling calls for knitwear patterns! He's enlisted the help of th' IoF©'s Outreach & Transparency C.E.O. Kreemé [nineteen my ass - Ed.] and poured a quart of spiked Gatorade down his throat. "I wanna be free," he enthused yesterday, "free to do what I wanna do. I wanna get loaded and have a good time!" Our Foam-O-Graph© [above - Ed.] has been projected direct from his third chakra into your optic nerve via Professor U.U. Gefiltefish's patent Kirlian Aura Probe, which has you by the astral nuts.

Anyway. Youse bums know the rules. Especially (FX: CHORD OF DOOM) The Unwritten One. The first five melodies that come up on shuffle. If you don't "have" shuffle, or don't "do" shuffle, imagine a hospital radio station playing drive time music in your head. Actually, you may not have to imagine this. Be a come-with 4/5g©!

Thursday, November 18, 2021

Bonega Novaĵo! Dept.

Bonega novaĵo, amikoj! Ekde hodiaŭ, la oficiala lingvo de Falsa Memorŝaŭma Insulo© estos Esperanto! Jes, pli kaj pli da homoj en la tuta mondo lernas ĉi tiun riĉan lingvon, kaj ĝi certe fariĝos la lingvo de la mondo tre baldaŭ!

Falsa Memorŝaŭma Insulo© ĉiam estis la unua adopti kaj inventi novan teknologion, kaj ni akceptas ĉi tiun tutmondan iniciaton kun la espero, ke la Kvar Aŭ Kvin Uloj faros la malgrandan penon necesan por lerni ĝin! Por komenci ĉi tiun ekscitan novan evoluon, ni donas al vi la muzikon de Dolchamar!

Wednesday, November 17, 2021

Klaus Kinski's Kryptik Kitchen Dept. - We Have A Winnah!

Foam-O-Graph© - The Tin In A Can™!

Remember last week's fun-filled FoamQuiz™? Probably not. Sure, you can remember what was on the back of the cereal box when you were eight, but a few days back is too much of a stretch. Hey! "Not back like in a box back, not back like in a race, not back so you can keep it, but back in time and space!"

We changed the rules a bit, on account which sleeve design recognition was a walk in the park with a slice of cake for youse college-educated weisenheimers, and went cryptic on your elderly asses. Which made the whole deal much more fun,  leastways for me, watchin' youse bums squirm in your seats, chewing the end of your pencil and staring out the window like you really didn't care anyhoo. Hoo hah! Winning the FoamQuiz™ is one of the most important accomplishments you can, uh .. accomplish ... the Noble Prize, the Putziter, the Mrs. Joyful Prize For Rafia Work - these are tawdry gimcrack mantelpiece ornaments in comparison!

Earn undying respect of confreres in drunk tank by correctly identifying album, act! Do not directly name either! Leave clew in comments to indicate you're on the ball, right track, a roll, and fire!

Let's do this, people! Nose/grindstone, shoulder/wheel contiguosity!


EDIT: A superlative performance by A Fine Old English Nobleman garners him a coveted place on the Winner's Podium! This hastily-prepared graphic shows him being presented with a carriage clock (may differ from actual award) by th' IoF©'s resident Body Positive Icon Mrs. Myra Nussbaum!

Tuesday, November 16, 2021

Disco-O-Foam© Dept. - Insanely Great Music From The Year Of Insanely Great Music

In 1975 I wasn't listening to any of this. The glitter ball didn't light up my life. I was carrying Katy Lied and The Last Record Album to the kind of parties where we stood around complaining that disco was the death-knell not only of music but civilisation as we knew it. Dumb old me. True, I was on a higher plane. I'd rejected societal norms for a spiritual quest that led to a suburban marriage and a fucking job, and it was only much later I realised what a shitload of dancefloor fun I'd missed out on. And hot chicks, probably.

Well, pals, it's never too late to get on down and partayyy. The music is every bit as insanely uplifting as it ever was, and I defy you to be chopfallen of mien with these swell beats rattling yer Realistic™ speakers! You may even find yourself essaying some ill-advised dance moves, perhaps a little booty shaking, so be sure to pull the shades.

What's that you ax? My favorite disc from these seventies stunners? Why, today it's Family Reunion by th' O'Jays! A heady mix of Rn'B, funk, disco and soul, all bubbling from the same righteous gospel source. It makes you wonder why anybody bothered to make another record - this, surely, is enough to justify human beings as a noble life form. And show the cover to Wokes who think they invented diversity and inclusivity. And then show 'em the cover to Wake Up Everybody, Melvin Harold And His Blues Notes' stirring call to ecological action, and tell 'em we wus saving the planet before they wus born, th' ingrates.

Why not spin these platters when unexpected guests drop by? Say, that's some nerve they got dropping by unexpected, you in your Y-Fronts sucking Easy Cheese out the can! Tell 'em to find their own party!

Sunday, November 14, 2021

Some Candles Had To Wait To Be Lit

 


Babs offers us a personal reminiscence, and memorial, of 9/11.


As I was walking from my condo in Tribeca to my job in Manhattan’s financial district, the sky was as blue as could be, and the air was dry and crisp. It was a perfect September day, gone was August’s heat and humidity. “This is a picture perfect day!” I thought to myself, while Duke Ellington’s album Afro-Bossa played on my MP3 player, and I quickened my pace. When I reached my place of work at One Chase Manhattan Plaza, I paused for a minute, to look at Jean Dubuffet’s 40-foot sculpture entitled, “Group of Four Trees” (It’s still there), went in the building and took the elevator to my office on the 57th floor.

Most mornings at work, started with my assistant Diane and I, drinking very strong coffee, gossiping, laughing, talking office politics followed by more coffee. We heard a commotion down the hall, and I said to Diane, “The Traders started early.” Diane laughed and said, “Yeah, those sociopathic coke heads!” we both laughed, and continued talking. We were interrupted by John, the mailroom guy, who stuck his head into my office and said, “The World Trade Center is on fire!” We jumped up, and went to the westside of the floor, where there was a spectacular view of the twin towers, that was just fifteen-hundred or so feet away. I could see fire and black smoke that was emanating from the far side of the building, so I couldn’t see what had actually happened. One of my co-workers exclaimed, “They’re saying a plane hit it!” At the time, I thought it was a small plane, and had no idea we were in the middle of a terrorist attack.

After watching the scene for a few minutes, Diane and I went back to work, as we had a meeting in half an hour, and we needed to have our pre-meeting meeting. Ours was a world of quantitative analysis, with its mathematical models, statistics, and risk management. In the financial world we are known as “Quants” and I was the Head Quant. Now and then, I wondered how a Hippie like me, who my husband described as, “Looks like Barbie, smokes like Marley” ever got there. But nevertheless, there I was. Actually, this was a dream job for me due to my love of pure mathematics.

While Diane and I were talking, we heard an almighty BOOM! The whole building shook, and the lights went down and then back up. We went back to the West-facing window, I looked out the window and saw all this metal and paper flying around like a surreal snow globe. The lights went dark again, as we walked back to my office, where I changed into my sneakers, grabbed my purse and cellphone, and headed for the stairwell with Diane and John the mailroom guy in tow.

In the stairwell, people were filing down the stairs in two rows, fire-drill style. Some were in shock; some were crying. When we reached the first floor, walked out an emergency exit, I looked up, and paper was flying everywhere. When I looked up even higher, I saw a fireball coming out of One World Trade Center. A Policeman was shouting “Walk east away from the towers!” John, the mailroom guy, suddenly told the officer, “My girlfriend is in One World Trade Center!” then screamed her name, “REBECCA!” and ran towards the twin towers. I turned to see how Diane was, she was crying, and said, “People are jumping out of windows!” I grabbed her arm and pulled her in the direction the policeman was pointing to and yelling, “C’mon, get out of here!”

In the air was a smell of hot metal, burnt plastic, burnt fuel, and concrete dust (that smell lasted into  early December 2001). A man, walking towards us, said, “The north tower just collapsed!” A few minutes later the dust cleared, you could see the light again, but that light didn't last. When the second tower came down later, the same thing happened again.

Even though I knew the streets of the Wall Street area like the back of my hand, I was completely lost. With the noise, dust and smells, I couldn’t think straight. I kept looking for the twin towers, to use as a North Star, but they were no longer there, and my brain had difficulty processing this. I pulled Diane, who had now completely shutdown, to which I was pretty sure was north, and back to my home in Tribeca. Just wanted to get home.

As we walked, we came across an abandoned bagel cart, which had soft drinks in a bin that was attached to the front of it. All that was in the bin were bottles of iced-tea. I grabbed a bottle, rinsed out my mouth, washed my face with the iced-tea, and drank some. Grabbed another bottle and gave it to Diane, who did the same. With my eyes no longer burning as bad, I looked at my cell phone, which had no service. Further, up the block we saw a pay phone, that had several people waiting to make a call. While we were waiting to make a call, a man walked up to the pay phone, shoved the woman on the phone out of his way, hung up the phone, and made a call! I decided we should keep walking.

The further North we walked, the less dust was in the air, I could see better now and realized I was only a few blocks from home. A walk that usually took twenty-five minutes took just over two hours. When we reached my building, I started crying, the doorman took us into the building, sat us on a couch in the lobby.

Years later, we learned that the Bush administration had deceived us about air safety. In 2006, an EPA scientist named Cate Jenkins said that agency officials had lied about air quality and that they knew the dust contained asbestos and disturbingly high levels of metal toxins. New Jersey Governor Christine Todd Whitman admitted, “We didn’t want to scare people” working in the financial district.

Jerry was the love of my life, my traveling companion, and co-conspirator on this long, strange trip called life. In 2010 he was diagnosed with post-9/11 cancer, as were many people living south of Canal Street in Manhattan.


Jerry passed in 2012, at the age of sixty-four.






Friday, November 12, 2021

(Big) John Wayne Socks Psychology On The Jaw Dept.

Hatfield And The North, apart from being possibly the greatest band name ever, tells you a lot about the kind of college-educated smartasses amusing themselves here. In the U.S.&A. romantic-sounding state and city names lend themselves to rock (and indeed roll). Tennessee, New Orleans, Phoenix - these are mythic destinations. What do the poor old Brits have? Liverpool? Go down there to "do nothing." And it's hard to imagine anyone writing a rocking celebratory anthem about, say, Bedford. Or Durham women. "The Hatfields" got their name from a London road sign. Nobody knows or cares what or where Hatfield is, and "The North" just indicates a threatening wasteland of absolutely no interest to Londoners, or anyone in their right mind. The sign, like all British road signs, is more of a dire warning than an indication of somewhere to go.

Everybody - a relative term, here - associates "the Hatties" with the Canterbury Sound, which was like the Boston Sound, only on a much, much smaller scale. There were only maybe half a dozen Canterbury Sound bands (make your own list), and the sonic shock wave they made spread no further than college kids drinking subsidised warm beer in Student Union Bars with Lord Of The Rings murals and foosball machines operated by coins on mandolin strings. What a time it was to be alive!

Not even Caravan - perhaps the exemplars of the Canterbury Sound - made much of an impact in the U.S.&A., and I suspect "The Hats" will be new to possibly 3 of the 4/5g©. The first two albums are as much as you'll need, and maybe more than you want.

Does humor belong in music? Not taking yourself seriously certainly does, and it's a quality lost on, say, Chicago.

Thursday, November 11, 2021

"It's Boss, Man!" Dept.


"Dig these new wheels!" Just an everyday teen at an everyday L.A. High School, picking up his everyday pals in his everyday jalopy! What could be more wholesome? Yet these everyday youngsters - they could be your sons and daughters - are on the road to DRUGS! To SEX! To WILD MUSIC! To PUBLIC DISORDER!

A manly voice-over anguishes: "Soon, half the world's population will be under twenty-five years of age! Where will they go? What will they do?" It's scary - the world's population must be at least 90% under twenty-five by now, which accounts for all the wild music and drugs and gang rape on the streets. Riot On Sunset Strip is more American International cornstarch from a bunch of balding old beancounters who might have been locked in a Yemen basement, so disconnected were they from contemporary L.A. youth culture. The dri-klene "teens" frug like rejects from a Monkees audition, the protest placards are straight outta Hallmark™, and the Moms n' Pops look uncomfortable with color film as they struggle to understand what happened to their movie potential.

The soundtrack album is pretty groovy, though. You have it awready, have it again. I'm particularly fond of the Mom's Boys (A.K.A. Max Frost And The Troopers/Thirteenth Power), antecedently FoamFeatured® on Freakout U.S.A.

But maybe you haven't seen the movie in a while, or at all, so here it is, in much crisper quality than YewChewb. The weird thing is, in its fakeness and cheapness and utter cluelessness, it presents as true a picture of L.A. culture as anything else.




Wednesday, November 10, 2021

The Smile That Returned To Us




Back when file sharing wasn't even imagined, in the days of dial-up and floppy disks, the internet was the primary resource of information and speculation about the lost Beach Boys album Smile

Prior(e) to that, we only had occasional mentions in the rock press and Dominic Priore's essential bible for Smile fanatics [left - Ed.], then hard to find, a great fat paste-up fanzine, a labor of love we p(ri)ored over, mining it to aid us complete the lost masterpiece. Because that's what we attempted, on whatever cassette decks we had, using what source material we had, bootlegs and official releases. Editing was crude, but we all had our own ideas as to track choice and running order, and mailed cassettes to other obsessives while we waited for mp3 to be invented.

It was a mess. But fun. And the vision of what the album might have been didn't fade. More recordings surfaced, the picture became clearer, and the clamor for an official archival release got loud enough for Brian to be persuaded to record a new version, highly anticipated. Brian Wilson Presents Smile was a weirdly unsatisfying experience, and although impeccably performed seemed even further away from the Real Thing than our own clumsy cut-ups. The quality of the vocals had much do with it; no other combination of voices sounds like the Beach Boys, where the whole is so much greater than the sum of its parts. They took harmonies to places they'd never been before or since, and the mix of timbre is unique. The original tapes are super-saturated with non-reproducible atmosphere; the spirit of the times, beautiful and funny and strange. I caught Presents on tour, and the audience teared up, sending a great warm wave of love out to Brian Wilson. One of the most memorable concerts I ever attended, still sends chills down my spine. So much love. But it didn't realise the dream of the lost album, it didn't deliver completion, serving mainly as a celebration of Brian Wilson and a reminder of what could have been.

The eventual box set of the original Smile sessions, although providing much new material at high quality, was another missed opportunity. In the absence of Brian going back to the tapes, nobody else stepped up to assemble the elements in a form that did them justice, as a record. Nobody risked going out on an artistic limb and saying, hey, how about this? Any number of Beach Boys experts and archivists could have. But no. The material was curated with museum-grade respect but zero imagination, a glass case displaying the shards of a shattered crown. At least we had a wealth of more pieces to work with. Perhaps too many. My own enthusiasm waned at this point. I had well-made fan attempts I listened to more than Presents - which I never listen to - and thought that was as close as I'd get.

And then, three years ago, an internet blogger quietly gave us both stereo and mono versions of the album that immediately rendered all previous reconstructions and assemblages obsolete. Soniclovenoize (for it was he) came up with the best imaginable recreation of the Real Thing, in stunning sound quality. Crucially, he limited it to vinyl album length, which given the wealth of disconnected material out there is a major achievement. No (thank God) fifteen minute versions of Heroes & Villains. Just a suite of songs - and what songs! - interlaced with the batshit sound collages you either enjoy or (more commonly, because you're not on drugs) dismiss. But even the segments obviously lacking vocals sound right - oddly whole, like the Venus de Milo.

Smile is such an old, old story that a resolution is no longer expected. There have been so many attempts at telling it that SLN's version was, I think, received as just another playlist to be filed alongside the others. Yet it does something the others don't - it takes that risk, plays a little, creates a little, and in giving us not quite what we expected gives us what we needed all along - an album. The album.

My only nitpick was his replacing the first minute of the stereo Heroes & Villains with a mono edit, because he preferred the quality of the vocals. He may have a point, but it seems a musical solecism that Wilson would never have made. So I replaced his hybrid with the original single, the song that opened my ears and blew my mind back in '66. Both versions of the album are (to use an overused term) essential. Smile, with all its confusions and contradictions, has, at last, been returned to us.


I hear the sound of a gentle word
On the wind that lifts her perfume through the air






Sunday, November 7, 2021

The Island Records Story - Kiss Me Neck!

Jamaica, early sixties, and posh English toff Lord Chris Blackwell is "searching for talent" in a Kingston nightclub. Comedian Charles "Charlie" Hyatt is doing standup, and Lord Chris is so spliffed up he signs him to the fledgling Island Records on the spot, flying him to London's busy Soho area for appearances at London's trendy Marquee Club!

We can only guess at the audience we hear in this live recording from '65 - is that Mick Jagger's laugh we hear? Or Marianne Faithfull's? Hyatt's salty brand of comedy, high (possibly literally) on in-yer-face innuendo and entendres stuck in the singular, would not wash with today's Young Quakers, but we're not here to give too much of a fuck about them.

Hyatt had quite the life, should you be desirous of finding out more, with much more going for him than the funnyman act, good tho' it was. His appearance in Cool Runnings, which of course you saw, was just one of many, and varied, roles in an impressive movie career. And he married a swell dame, too. Kudos!


This post made plausible thru th' æegis of The Lupine Assassin Repository Of Recorded Arts

Saturday, November 6, 2021

Bikini Babe Clickbaits One-Off Wonder Dept.

Foam-O-Graph© - Filling A Much-Needed Void!

Oh boy! Does business ever get brisker on th Isle O' Foam© than when a tomato in a two-piece front-loads a think-piece? We think not! Why, there's nothing like a broad in a bikini to whip up interest in another old album what most of youse bums gots awready or don't want anyway!

That's why DuMorgenstern Phloentgen-Basilica [19 my ass - Ed.] was more than keen to pretend to own an extensive collection of vinyl collectibles and an unsurpassed knowledge of the period in rock music history when psychedelia morphed into something harder to define. Plus, she's like, inclusive?

"Why, yes," she breathed yesterday [reading from a card - Ed.], "there are jazz inflections here, but the horn section never takes over, its brief appearances adding - what's this word, Farq?"

"Textural."

"Oh. Adding textural variety."

"What," I axed, "of the keyboard stylings?"

"There will be those who like to parade their scant familiarity with the genre by referencing Brian Auger, because he's the only Hammond player they can think of right now, but stylistically they have little in common, and once again the keyboard charts never dominate the overall sound or sink the album into the ham-fisted cruise ship funk served up by Mr. Auger."

"And the chick vox?"

"It would be absurd to deny the influence of Grace Slick, but here again, it's nothing like the same voice, there's no attempt at imitation."

"So - your overall rating, Ms. DuMorgenstern?"

"This is a very fine album indeed, and it's unfortunate they never cut a second or made it as big as they deserved. Perhaps the cover versions - all well-chosen and imaginatively arranged - served to lessen their impact back then, but they add a unique flavor today. Uh - can I go now? I have a bikini wax symposium to curate in like one minute?"

Today's quiz is a little different, subscribers! Can you make sense of the visual clews embedded in th' above Foam-O-Graph©? [above - Ed.]. If you think you've identified the disc so persuasively vaunted by the delicious DuMorgenstern, leave a cunning indication of yer smartassery in a comment! Don't name act/album title!


Friday, November 5, 2021

Guess The Mystery Celebrity! Dept. With Clarence Pune

Clar and his new best bud! Photo - Weegee

Many, if not all, of th' Four Or Five Guys© brag unpleasantly about their brushes with the rich and famous! Here, Clarence Pune, who is from Canadia, corners us with his tale of a mid-air encounter with one of the great stars of this or any other age! Can you guess who it is, subscribers? Why not hazard a guess in the lively internet forum that is the comments section?

It was [drones Clarence Pune - Ed.] a flight from Vancouver to Los Angeles. Business class because a client was paying for it. I had the window seat. A short guy like me, who looked familiar, got settled into the next seat. Smart casual duds. Tinted glasses. Expensive briefcase. No real conversation until we were up and away. When the flight attendant asked if we wanted drinks, I got a gin and tonic and he said just tonic. He asked me if I was from Vancouver. Said he liked it. His voice confirmed my 99% suspicion of who he was. But being in the creative end of advertising [there's a creative end? - Ed.] I well knew that celebs appreciate a degree of privacy, so I didn't try to confirm my hunch.

I did ask him if he was from L.A. These days, he said, but originally from Iowa. We talked about news and he turned out to be quite an avid Democrat. So, we touched on politics and he veered the conversation back to Vancouver. He'd been there to visit the many art galleries.

Anyway, it's quite a short flight to L.A. Conversation flowed easily and friendly. I didn't tell him I often lusted after his wife. Getting off the plane he said he'd enjoyed talking. I said, "Me too, my redacted friend." He laughed and gave me a little punch that I'd known all along.

Yeah. It was 
redacted.

Some swell story, huh gang? Maybe you imposed yourself on a showbiz or sports celebrity and want to share the tale with us?

Anyways, the game here is fill in the redacted blanks - both of them, because the first is a clue to the second! Oboy! Some fun huh gang?!

Wednesday, November 3, 2021

A Little Nostalgia For The Old Folks Dept.

These exclusive The Zappa Movie Official Soundtrack Album! Exclusive Backer Reward Editions were released exclusively for them what backed The Zappa Movie, which I'm guessing ain't you, ya cheap grifter. But now, thanks to th' open-handed largesse and airy disdain for interleckchewal copyright for what th' IoF© has become a household word in cheap motel rooms everywhere, you can make like you did!

Imagine the ugly disbelief on the faces of your seedy pals sharing a bucket of cheese fries at Big Boy when you display the fake CDRs what you had done at Kinko's! "Why yes," you warble, "I was one of the backers of The Zappa Movie, so fuck you!"

The set consists of two luxury compilations exclusive to you, Mr. Big Time Movie Backer: a full length CD, and a twenty minute EP! Go ahead, make like you gots 'em awready. Nobody here's goin' to believe you neither. You got that type face.

This post made possible thru th' ægis of Potrzebie, to whom we extend our heartfelt thanks.

Tuesday, November 2, 2021

Play Some New! Dept. - The Primal Screams


In response to complaints that we only feature "Boomer Music" [i.e. played loud on large portable cassette players - Ed.], today's post whiplashes us right "up to date" with the "happening now!" sounds of The Primal Screams, the exciting new beat combo from England's trendy Gorbals district!

Headed up by Rab C. Gillespie (the "comedian" of the group!) the "happy-go-lucky" pop foursome are chartbound with their latest long-playing waxing Some Nice Flowers Grow, featuring their hits Mull O' Kintyre and Donald Where's Yer Troosers!

This Special Collectors' Extended Deluxe Fiftieth Anniversary Collectors' Edition features bonus cuts of their early singles and a Peel Session from '85, making it a very special collectable you'll want to add to your collection of collectable collectables! And it comes in a succulent new psychedelicised cover you'll want tattooed on your perineum!

This post made possible thru the patronage of the Sporran N' Caber Mens' Drinking Club, Sauchiehall Street.

Monday, November 1, 2021

Band With Shit Name Makes Swell Record Dept. - Dungen

Hahalol, they didn't know that dung means shit in English! Or that their album means shit to statistically everybody on Planet Earth. Maybe they didn't care - the album sleeve (elderly lesbians at witch school) is certainly of the oh-fuck-it-use-this school of design. Leave us lissen to Sitarswami wax lyrical anent his discovery:

"I pulled this one off the vinyl shelves today for a quick spin and was reminded of what an extraordinary record it is. A mostly instrumental mix of folk, psychedelia and rock with the occasional lyric sung in Swedish which adds to the impression of uncovering a long lost mystical Krautrock-Krautfolk lp. A limited vinyl-only release from 2001 on Subliminal Sounds, it has never been reissued -- unless you count a cd compilation which utilized the same cover art [wise, very wise - Ed.] but took the music and incorporated it into a collage with other material recorded around the same time."

Naturally, my reaction was yeah ri-ight su-ure it is. Pffft. I've been fooled too many times by this kind of bonkers enthusiasm for terminally obscure releases. And Swedish? The land of fjords, duvets, Vikings, igloos, half-assed "open" sandwiches and endless pine forests stuffed with alcoholic suicides sucking Volvo exhaust? And Abba fercrissakes? The worst band in the history of all that is unholy? Haw! Fuck dis shit!

Hat duly eaten, egg smeared on face. It's every bit as good - better, actually - than Mr. Swami avers. This is one of those albums you'll pretend to your friends (like you have any) you bought on release, longtime fan of their work, criminally underappreciated etc.

But wait! There's MORE! Encouraged by my reception, Mr. Swami makes both their later albums available! Mr. Swami again:

"Their 2nd record is also quite spectacular. It has re-recorded versions of the three songs on side A which is not a bad thing. Dungen's second record, Stadsvandringar, is tighter & poppier than their first while still retaining its folkier aspects. It was so successful in Sweden that they were asked to record a song for the Swedish-language release of Disney's Jungle Book 2. Their third record, Ta Det Lugnt, ratchets up the electric guitar and consequently loses a lot of the dynamics found on the first two and the songcraft suffers as well."

Leave us get together in the comments to await the loadups.