Tuesday, July 19, 2022

Steve Shark Gets Under The Covers With Susanna Hoffs! Dept.

Th' IoF© prides itself on being the first to feature new talent, new discoveries in this business we call "the music"! Today, Steve Shark reveals the results of intensive internet research, often venturing into the Dark Web armed with nothing more that an Indiana Jones hat and a box of Bengal Matches! His discovery? Comely songstress Susanna Hoffs [left - Ed.], a talented lass with that elusive je ne sais quoi [Fr. "fuck knows" - Ed.] that today's Hit Parade demands! Over to you, Steve!

Cover versions! [gasps Steve Shark - Ed.] Some are so like the originals that there seems little point to them, whilst others are so different that they seem almost like new compositions.

When they work, however, they're often a thing of beauty that brings out the inherent qualities and merits of the original, whilst adding a different dimension to it. Johnny Cash's cover of "Hurt" by Nine Inch Nails is a prime example. It was already a great song, but Cash adds a bleak poignancy to it with his very personal interpretation. It's telling that many people think that Cash actually wrote it.

Personally, what I look for in a cover is affection for the song, no matter how the artist chooses to treat it and, if it doesn't work, there's always the original to go back to. Nothing's been lost.

The specific subject of today's screed has its origins in a Green on Red BBQ held in 1984. I have no further details, but I'm a huge fan of the band and I'd bet money that an extremely good time was had by all, with plenty of pills 'n' booze.

Members of Dream Syndicate, The Three O'Clock, Rain Parade and The Bangles [feat. Susanna Hoffs, left - Ed.] were in attendance, and during proceedings the idea of an all star covers band was floated. This resulted in a loose aggregation of Paisley Underground musicians under the name of "Rainy Day" - a nod to the Hendrix song that they later covered - and an album was recorded, with songs by Bob Dylan, The Beach Boys, Buffalo Springfield, Big Star, The Velvet Underground, The Who and, of course, Jimi.

Over 20 years later, Susanna Hoffs (honorary IoF© babe) of Rainy Day - and, of course, The Bangles - got together with power popster Matthew Sweet [couldn't find a pitcher of this dude so here's another of La Hoffs, left - Ed.] and cut an album of 15 covers of 1960s songs. This was followed over the next 5 years by a further couple of albums which covered the 1970s and 1980s.

The range of material ranges from The Zombies through Mott the Hoople to The Go Gos, and many, many points in between. The songs are treated with my prerequisite of affection, as well as respect, while not being slavish copies. Above all, everyone sounds as if they really enjoyed themselves!

So, without any flim-flam, 'ows yer father or beating about the bush [steady now - Ed.], here's Matthew Sweet and Susanna Hoffs [left - Ed.] with their "Under the Covers" albums. It's exactly what it sez on the tin - a veritable cornucopia of covers. Hell, even those jolly japesters the Ramones get immortalised here! All in all, 64 - count 'em - slabs of pop and rock goodness. If there's nothing you like here, I'd be surprised.

Cunningly entitled "Completely Under the Covers", this is the complete Sweet and Hoffs 4 CD set, with bonus tracks, complete with suitably poptastic cover art and groovy track descriptions - it's so fucking complete that it hurts! For added value, the Rainy Day album is included.







In response to requests from hundreds [Enis and Burgwyn Hundreds, Chowderhead, KY - Ed.], we've managed to source extra archival material for this piece in the form of photographical data we're pleased to present here in the spirit of musicological rigor. Unfortunately, no pictures of the guy - that guy - him - who contributed to "Under The Covers" was available at the time of going to press.










This post made tangible thru endowments from The Hy Averback Archive Of Forgotten Radio Voices, Boston, MA.

69 comments:

  1. Babs is prolly sleeping off her Surprise Party Of Special Things To Do, so talk among yerselfs until she can see straight.

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    1. Today's subject for mass debate is:
      What's your favorite double album?

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    2. Everybody seems to play down Dickie's impact on this album, which is as great as Duane's (ie phenomenal). Elizabeth Reed is not only his composition, and arguably the most memorable tune on the album, but has the most viscerally exciting playing - "that moment" is Dickie. Not downplaying Duane at all, just giving due props to The Other Guy.

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  2. Kevin Coyne : Marjorie Razorblade
    Not a duff track on it, which didn't stop them from knocking it down to a single lp for the US market and relegating the "idiosyncratic" title track from opener to closer. Not sure if they thought youse lot couldn't cope.

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    1. How about some screed, Nobster? It may rival Steve's Cardiac piece for musical detumescence. I don't mind at all - th' IoF© dares to go where timid souls with snowflake ears fear to venture.

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    2. Oh, I could bore for England talking about Kevin Coyne, so yeah I'll add it to my list. Anyway, don't knock the cardiacs I'm a newly converted fan.

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    3. FYI, every post here eventually - after a week or so - gets around the same total page views, including the left-field and second-rate acts. Loaddowns I don't know (nor care) as I don't have an "account" with any file host. The Four Or Five Guys© come here for an entertaining read first, and blagging shit second. Your pieces, as did Steve's, hit the ground running.

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  3. Ooh! Ooh! So many.
    Live Dead
    Doors Absolutely Live
    Allman Bros. Fillmore East, Eat A Peach
    Too Late To Stop Now
    Freak Out
    Blonde On Blonde
    Soft Machine Third
    The River
    Tago Mago
    Trout Mask Replica
    Waiting For Columbus
    Miles Davis Big Fun (and the others)
    Layla ...

    I'm sure there are many more, but at the moment it's Layla for the win.

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    1. I'm going to spin Layla now, for some reason it's never really grabbed me, most of your other choices fab.

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    2. Original single album Layla here: https://falsememoryfoam.blogspot.com/2019/05/i-always-hated-blues-eric-clapton.html

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    3. Those were the days, only four comments.

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    4. I know! And that was a damn good piece, too.

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  4. At whatever age I was I got The Doors - Absolutely Live as a cutout at the local Thrifty Drugstore and played it over and over thinking it was the best thing ever. Jim going crazy right there on my stereo. But then I got a bargain bin copy of Space Ritual. I had never heard Hawkwind before that and it was a whole new universe to explore. It was the best thing ever.

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  5. Oh yeah, Wishbone Ash - Live Dates.

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  6. My favorite is Miles Davis' 'Agharta', with The Stones' 'Exile on Main St.', Dylans 'Blonde on Blonde' and Stevie Wonder's ‘Songs In The Key Of Life’ all receiving an honorable mention.

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    1. How could I have omitted Exile? And how's your head, Babs?

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    2. So come on then, Babs, how was the party? We've all been vicariously living off it for the last 24 hrs.
      Thanks for the "Jazz for Nobby", I've been grooving to it all day on rotation. The Miles was a bit dodgy so I had to patch it from elsewhere, but all good now.

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    3. My head is fine, as Jerry Garcia used to say, "If the head fits, wear it."

      The party was awesome! I knew there was going to be a surprise party, because my grandson and granddaughter aren't as sneaky as they think they are. That said, there was a surprise, in that my daughter, son-in-law and three other grandchildren who live in San Diego, were there. It was the first time in over two years the entire family were all together.

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    4. I'll second Agharta, because I purchased it secondhand in Whitehaven, Cumbria on the same day I bought the first VU album. They were both dirt cheap and when I got home (from my holiday) they were a revelation to me, I like Live eviL too.

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  7. Andy Williams' cover of MacArthur Park is interesting, considering that neither he nor Richard Harris were exactly teeny-bop bait, and that the song is lyrically Webb weird.
    Here is the official version:
    https://www.youtube.com/watch?v=GBL3cB9hBhA
    YouTube also has an Albert Hall live version.

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    1. That guy could sing. People go on about that Bronx funeral warbler Tony Bennett being "the singer's singer" but for technique, nobody, but nobody, beats Andy Williams. Schlock? The man got insanely rich making people happy. I should be so schlocky.

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    2. I think Andy is more schmaltzy, than schlocky.

      "....that Bronx funeral warbler Tony Bennett..." - ***golf clap*** Well played, Sir....well played.

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    3. Schmalzy, schlocky - so long as he loves his mother.

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    4. Andy Williams here: https://falsememoryfoam.blogspot.com/2020/11/always-on-sunday-dept-andy-williams-god.html

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  8. Exposed: A Cheap Peek AT Today's Provocative New Rock.
    Sampler from Epic Records. I bought it cheap (just like it said) because I wanted Hold On by Ian Gomm. But I got turned on to Garland Jeffries, Boomtown Rats, Ellen Foley, and Most importantly, The Sorrows (" Christabelle" is a lost classic everyone needs to hear).

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    1. A sampler! Interesting choice. The Fill Your Head With Rocks double turned me on to (and off from) a few acts.

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    2. Picnic - the Harvest sampler double - bought it for Pink Floyd's Embryo, but came away with Michael Chapman's Postcards of Scarborough.

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    3. That album is saturated with Proustian-type resonance for me. My girlfriend at that time lived in a beautiful house on the shore of Coniston Water in the Lake District. We used to play that album, lying on her bed and looking up at the ceiling, which was painted black, with hundreds of little star stickers. In the daytime we'd pack some cheese, bread and apples and wander the heavenly countryside, totally in love. Postcards of Scarborough - *sigh*

      Echoes here: https://falsememoryfoam.blogspot.com/2019/03/the-muddle-that-was-meddle-roger-waters.html

      Chapman here: https://falsememoryfoam.blogspot.com/2020/08/familiar-obscurities-dept.html

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    4. Ellen Foley - I love that Hunter/Ronson produced debut album.

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    5. Those 70's sampler albums were my gateway to so many bands I would later really like. The 'V' Virgin sampler (double) had two Kevin Coyne tracks and loads of other 'good shit'. In the 80's the secondhand shops were virtually giving them away, ElPea, Bumpers and the fabulous Charisma Disturbance, with its gimp mask cover too (all doubles).

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    6. Michael Chapman is now sadly on the long list of "artistes that always seemed to playing, can't be arsed tonight so I'll miss this gig and catch them next time"

      Others on the list : Joy Division, Buzzcocks, Specials, John Martyn, and more, but on the plus side I did see many before they shuffled.

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    7. Michael Chapman played in a pub 20 minutes drive from me in the early 2000's, I also figured I'd catch him next time. Another one that got away.

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  9. Well I have 3, the first 3 Chicago albums
    Ned

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  10. I listen to UNCLE MEAT a lot. It was two vinyl albums the first time I bought it. - konrad useo

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    1. Uncle Meat here: https://falsememoryfoam.blogspot.com/2019/10/frank-gets-primordial-on-our-asses-again.html

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  11. Stones - Exile
    Chicago - first album
    Jimi - Electric Ladyland
    XTC - Oranges & Lemons
    Dylan - Blond on Blond

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    1. How could I have forgotten XTC's English Settlement?

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  12. Here's the Hoffster!

    https://workupload.com/file/8TEHFYsGvxc

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  13. Double albums is almost my specialist subject, because when I first started buying albums in the mid to late 70's I got Frampton Comes Alive for my birthday (don't judge me too harshly I was still at school), but then I bought Deep Purple Live in Japan. Lets skip over the Frampton, but I played the DP all the time for months, needless to say I never want to hear it again, but I did think the live double was superior to a greatest hits, so here's some other favorites.

    Steve Hillage - Live Herald
    Jethro Tull - Busting Out (thats what it says on the spine)
    Zeppelin - Physical Graffiti
    Joni Mitchell - Shadows and Light (or any other of her doubles)
    Ian Hunter - Welcome to the Club
    XTC - English Settlement
    Bevis Frond - Superseeder
    John Berberian - Ode to an Oud

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  14. I forgot a few goodies

    Fairport Convention - A history of
    Bonzo Dog Band - History of
    Duane Allman - An Anthology !!!!! (wow he was good)
    Neil Young - Live Rust or Weld
    Roy Harper - Flashes from the Archives Of Oblivion
    Rory Gallagher - Irish Tour
    Zappa - Sheik and many others

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    1. History of FC and Bonzos have got to be the best "best ofs". My only quibble withe Bonzos one is that they didn't put Equestrian Statue on it.

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    2. Because of The Fairport History of, I ended up attending their Cropredy Festival for many years.

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  15. Buffalo Springfield [Collection]

    Beats Dark Star by a short head, with History of Fairport Convention coming up on the outside.

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  16. Double albums only make sense in terms of vinyl in a way.
    Taking a 40 minute vinyl album as standard, anything over that - within reason - would have had to be a double vinyl album.
    Then CDs came along.
    Some vinyl doubles were edited to fit a single CD - English Settlement - to name but one. Later CD technology got a few more minutes of playing time available and meant that many more double albums could be fitted on a single CD.
    Then digital files, when size became meaningless.
    I suppose you could have a new double album on one CD, but it's still going to be a single CD.

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    1. Which begs the question - what's your personal optimum album length?

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    2. Without getting to 'Vinyl Wankery' on you, for most popular (with a beat) music 40 minutes maximum on vinyl, however I have some classical and electronic albums with long quiet bits that run to nearly an hour.

      I have a CD box set here The Fall, Rough Trade Singles Box, five CD's, each with reproductions of the original vinyl sleeves. Total running time 40 minutes. OK it's not really an album, but,... l'll get my coat.

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    3. Todd Rundgren's "Initiation" album (even as a Todd fan I can't recommend it!) had so much music on it that it had to be cut so that it played very quietly. Play it loud and the stylus jumped. In the sleeve notes he recommends taping it to listen to if it's not loud enough.
      Even then, he actually sped up some parts of the master tapes to squeeze more music on.
      I reckon 40 minutes for an album is about right. Especially if you're trying to assimilate it as a new album.

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  17. Rolling Stones' 'Hot Rocks 1964–1971' is another long time favorite.

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    1. A faultless assemblage that plays like an album. Ditto for the Beach Boys' Endless Summer (without the later and texturally jarring addition of Good Vibrations).

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    2. Re Endless Summer, I played my vinyl copy yestiddy, and Help me Rhonda sounded strange, last 30 seconds sort of had premature fade outs (like someone messing with the faders) and the harmonica sounded loud. So I played The Best of the BB version from 1966?67? mono, it's massively different, harmonica very noticeable on Endless version and vocal fadeout end, the best of version fades out with guitar run. Very interesting, I prefer the best of version, but there are interesting sonic things on Endless version.
      Uh hoo, I think I may be on the Vinyl Wanker Spectrum.

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    3. There are two very different versions - the singl (and more familiar) version, and the album: "Wilson rushed the Beach Boys into the studio in March 1965 to re-record "Help Me, Rhonda" in a faster, tighter arrangement that cut 22 seconds off the LP version, eliminated those volume experiments, and dropped other unusual touches such as the prominent harmonica in favor of a more rocking approach with an electric guitar solo."

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    4. Ah ha, thanks or the information Farq, very interesting.

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  18. blonde on blonde.

    i have a leopard skin pillbox hat that i will jump on for a photo shoot sometime this year.

    dylan writes my favorite funny lyrics.

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  19. So no love out there for:
    London Calling Tommy or Quadrophenia - discussed a few posts back
    Ummagumma (can't remember the last time I played the studio side)
    Everybody's in Showbiz (can't remember the last time I played the live side)
    Weird scenes inside the goldmine
    Kevin Coyne in living black and white
    This is the Moody Blues
    Tales from Topograhic Oceans (whisper it quietly)
    Barclay James Harvest (whisper it even more quietly)
    Journey through the past
    Nuggets
    Aloha from Hawaii via sattelite
    All of the above have featured in my life somewhere

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    1. I picked mine up second hand for £1 in about 1978, it's the american version with the psychedlic sleeve whereas the British version that everyone else had was dowdy in comparison. It did my street cred no end of good, although it was always a bit odd to have a "punk" lp in a "hippy" sleeve.

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    2. I'm not afraid to say it, I really like Topographic Oceans by Yes, all their albums are slightly ott and bonkers, this one just gets all the really bad press.

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    3. I'd just got into Yes through Yessongs when Topographic Oceans came out, so rushed out and bought it, but it never clicked with me like the other stuff did and I sort of weaned myself off them after that. Yessongs is still the highlight to me and its only since the dawn of the internet that I've heard the original studio versions of songs on it, needless to say I much prefer the Yessongs versions.
      The other double I meant to mention was Before the Flood, which was when I "got" Dylan. Before that he had just been someone that my sister listened to and I used to take the piss, but for some reasons the versions of his songs on that got to me.

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    4. I have lots of love for:
      London Calling - I play it regularly, mostly on my morning walks.

      Weird scenes inside the goldmine - The Doors were a major player in the soundtrack to my life during the 60s. While Weird Scenes is a fine greatest hits package, I prefer to hear the individual albums.

      Journey through the past - I wish Uncle Neil would re-release it.

      As for the rest of the list, I not a big fan of The Who, The Kinks and Prog Rock in general. Do I think that it's not good? No, most of it just never "fit the equation", and I'm sure there's lots there that I might like.

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    5. Weird scenes had just come out when I was hearing them for the first time so it was the natural one to get. I've since collected most of the originals now, so haven't played it in a long time. It's also one of those annoying doubles that has side 3 on the back of 1 and 4 on 2 "because people used to use autochangers" - who were these people? I don't remember anyone doing it and no one I knew ever understood how it was neant to make your life easier, it just got us totally confused. OK rant over for now.

      Journey Through the Past - I have it on vinyl and would be more than happy to digitise it for you - just let me know.

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    6. Correction, silly me it's 1,4 and 2,3, I told you I was confused.

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    7. Nuggets sleevenotes: the first edish had artwork by Abe Gurvin, who did a lot of commercial psychedelic artwork back in the sixties (especially for classical albums trying to broaden their appeal), so it has a slightly Hallmark feel. The second edish (both U.S. in origin) had beautiful art by iconic 'sixties poster artists Mouse/Kelley, which was perhaps a little too polished for the mostly primitive-sounding music within, but suffered from being pointlessly framed by a broad border.

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    8. So the "dowdy" one that I refer must be the Mouse/Kelly one from 1976 on Sire? According to discogs there wasn't a uk release, so I guess my mates had import versions of this. It's the border that takes away from the mzin pic.

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  20. On a slightly separate note: I loved, "Jingle Jangle Morning" month or so ago. Do one with "Pet Sounds" as the jumping-off point. Stuff clearly inspired....etc...?

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