Monday, July 4, 2022

"I Hear A Voice, Deep Down Inside - There Are Other Girls, Other Waves To Ride" Dept.

Jan & Dean should have fronted a pop group, not been a duo. Duos are tricky to get right. Simon & Garfunkel, Sam & Dave, the Everly Brothers [girls' group - Ed.], The Righteous Brothers, Sonny & Cher, James & Bobby Purify ... I'm struggling here. Anyway, here's why they should have fronted a group - the emphasis in a duo is singing. You don't get a singer teaming up with a bass player (although you did get Cher teaming up with a doofus). You're both up there to sing. And neither Jan nor Dean could sing a whole lot better than any random spirited Ben Frank's-type teen. Or they should have had a TV show, like the Monkees - they shot a couple of pilots.

But they did good for a couple of college kids making music on the side. Surf City, co-written with Brian Wilson [FX: harp glissando, heavenly choir, birdsong - Ed.] was the first surf song to reach #1, and they had a bunch of other chart hits before Jan Berry trashed his Corvette. Dean's loyalty and support through the long years of recovery shows how strong friendship can be. 


My favorite J&D album (and they were never an album act) is this here Original Soundtrack Recording of '64's Ride The Wild Surf, some kind of classic of the genre. I mean, gee whiz, check out that cover! Babes in bikinis, surfboards and striped shirts, and also too - for those what care, such as I - some boner-inducing typography - I just wanna lick that italic! The package is perfect, and so is the music. Yes, there's filler - a union requirement for surf-adjacent albums back then - but it's fun filler. And the tunes are killer, from the swooningly beautiful (Waimea Bay, and the elegiac A Surfer's Dream) through upbeat frug-alongs to the genuinely laff-out-loud (The Submarine Races).

Jan Berry gets credit for the sumptuous production (with massive assist, I should imagine, from Hal Blaine, Bones Howe, and Chuck Britz), and Brian Wison [FX: harp glissando, heavenly choir, birdsong - Ed.] gets principal credit for four songs. So yeah.

The lyrics to Tell 'Em I'm Surfin' (by the godlike P.F. Sloan and Steve Barri) are not only super-smart and deceptively finely crafted, but encapsulate the whole California Guy's Dream. And there's a sweet twist - for all his teen jock strut n' brag, he's talking to his Mom. He even asks her to pack his lunch - aww!! Read and enjoy. It's poetry, people!

Hey Mom if any of the guys from the baseball team try to call me on the phone, to ask me to play in an important game, just say their captain ain't at home.

Tell 'em I'm surfin' (don't care 'bout hittin' home runs now, all I have is fun fun fun now) - I'm tradin' in my bat n' ball, say I'll see 'em in the fall, I'm goin' surfin'.

And if that pretty little girl from across the street who's been botherin' me for days to go swimming in her pool, well her pool's real cool, but it hasn't got ten foot waves.

Tell her I'm surfin (she's a mighty mighty cute girl now, but I'm gonna be shootin' the curl now). If she wants some company I'll be out at Windandsea, I'm goin' surfin'.

Last year I had a summer job, and all day long I had to run around, but now I can afford a new surf board, and all summer long I'm gonna bum around.

So just pack me a lunch and I'll be on my way - oh yeah, there's one more thing to do; if the mail man comes with a letter for me, just forward it to Malibu,

Where I'll be surfin' (just drop it in my '34 Ford now, I'll read it while I'm waxin' my board now) Tell him I'm surfin'. I won't be home for days, I'll be ridin' the waves, I'm goin' surfin'.


EDIT: Lupine Assassin sends a link for The T.A.M.I. Show, hosted by Jan & Dean. See comments!







This post made fungible thru' th' Anaheim, Azusa and Cucamonga Sewing Circle, Book Review, and Timing Association.

59 comments:

  1. Never been much on surf rock, always makes me think of Brylcream and bobby socks , but my parents took me to see this movie and for some reason, the title track took. Something about the 40' waves I guess. Link waitin' and thankn' you very much.

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    1. In the cosmic scheme of things, surf rock is pretty damn important, but this is the full-blown orchestral/vocal evolution, and some way from Dick Dale. Closer to Summer Days, Summer Nights.

      Here's the link. This is the link. Click the link.

      https://workupload.com/file/wjNvduapzzP

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    2. Link clickin' sure, I'll give it a try...

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  2. Jan & Dean Meet Batman, no really!
    https://workupload.com/file/7EqnEEwp4Eu

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    1. Thanks, Babs. I have some othe J&D, but I'll wait to see if the 4/5g© upload it in snowflake quality first.

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    2. I guess I'll stick this here rather than spoil the glory that is Albums That Grew On You.

      Jan & Dean also were part of the small group of artists that got the 2-LP "LEGENDARY MASTERS" treatments from the United Artists label in the early 70s. Unlike most early roll & roll repackaging efforts, the packaging was sumptuous, with a beautiful cover and 8 page bio booklet. The cover included a singles discography with chart positions, but also what make and model car they were driving that month, and the names of the girlfriends they were....uh....dating.... that month.

      Speaking of design...it should be mentioned that Dean Torrence went on to do artwork and design for dozens of LPs. Nilsson Sings Newman...Steve Martin's Let's Get Small, Walter Egan's Not Shy, the Heptones Night Food, Boogie With Canned Heat, several Nitty Gritty Dirt Band LPs, Diana Ross & the Supremes, Linda Ronstadt.....you've seen his work.

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  3. Subject for mass debate:
    Tell us about albums that you didn't like at first but grew on you.

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  4. Music from Big Pink,bought it day it came out. Played it and thought it was too traditional or folk influenced for me. Few years passed before I loved it and every on of theirs after.I cried watching the Last Waltz.

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  5. first b52s album had constant play for 2 weeks in my freshman dorm. Finally loved it... just the opposite of the first Journey album ...

    Bucephalus

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  6. Sweetheart Of The Rodeo. Lordy, that took some work.

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    1. It still works better as a museum piece for the evolution of country rock than as an album you enjoy to listen to.

      For me personally, the same thing is true for the Nitty Gritty Dirt Band's "Will The Circle Be Unbroken". I get what they're going for, it's fine but it doesn't do anything for me as a record.

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    2. Sweetheart Of The Rodeo took some work on my part also, as did Dylan's Nashville Skyline.

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  7. Most 1960's Country music...George Jones, Conway Twitty, etc.

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  8. Trout Mask Replica...bought it 3 times and I'm sure in a future life I will learn to appreciate it

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    1. This isn't a brag, but I "got it" the first time I heard it, and I still get it. I think that's how the album works - if you have to try to get it, you probably won't. Some music makes a direct connection or not at all - no matter how many times I listen to Hank Williams, I know it's never going to happen for me.

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    2. I'm still trying with Trout Mask Replica, need to give it another play this decade.

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    3. I've tapped out after two tries and won't try again. Some stuff is just not for me.

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    4. ... and trying does nothing. Plenty of good stuff for everyone out there. Me, I instinctively cringe at Abba, Queen, Bowie, and, I have to say, a lot of The Beatles.

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    5. instinctive cringing is a protective mechanism. it preoccupies you while the horrible music plays.

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    6. Trout Mask is difficult to "metabolize".

      A few times a year, I listen to it while I'm walking around, with Manhattan as its surreal backdrop.

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  9. I bought never mind the bollocks when it came out, & I hated it for 3 months, & then I "got it". Kept playing it at first to see why I hated it so much. Lol.
    Thanks for the J&D. Funnily enough I watched the movie 'beach blanket bingo' just today. J&D weren't in it, but that was the vibe of the film.

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    1. I love all the "Frankie & Annette" beach flicks!

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  10. Roxy Music's first album. Taped it off a school friend's lp when it first came out and it meant nothing to me, probably because it was a rubbish recording. Bought it on cd 20 odd years later and I could actually hear it properly. Loved it and played it to death for a while, but haven't heard it for another 20 odd years!

    Hey up, it's it's 50th birthday, maybe time for another listen?

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    1. Don't go using that "newspeak" on me! I haven't a clue what a millenial is. Now Baby boomer I understand, although even that seems open to interpretation. Aint life complicated?

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    2. Nobby, you did that wrong. Here's what the youth of today (so, you and me...ahem) say:

      Sure, Boomer.

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    3. I don't mind Millennials (and I understand there are even later "generations") whining about Boomers. We were whining about them way before they even knew who we were. Plus, we used up their fun quota before they were born LOLSMILEYFACE!

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    4. In a nutshell, the Baby Boom Generation were born between 1946 and 1964. Generation X were Born between 1965 and 1980. Millennials were born between 1981 and 1996. Generation Z (sometimes referred to as the iGen) were born between 1997 and 2010.

      My children are Generation X, and my grandchildren are Millennials and one Generation Z.

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    5. i suffer great guilt about using up their fun quota.

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    6. So the oldest millenial is now 41, therefore Roxy Music's only a Generation X as is Generation X (born 1977ish). I'm getting into the swing of this now. My parents were split between the Silent Generation and the Greatest Generation, and my grandparents were the Lost Generation.

      I don't half feel better , not (as the millenials would say) now that everybody's categorised. Now all I've got to do is work out whether my Pirates lp should be filed under r&b or pub rock?

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  11. Someone lent me "Aenima" by Tool and I thought it was trash. A couple of years ago, I gave it another listen and found myself liking it very much. Metal's not normally my thing.

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  12. Talk Talk - Spirit of Eden. Their previous album Colour of Spring was great, but Spirit of Eden was really challenging on initial plays. They now incorporated modern classical, jazz, noise, and indecipherable lyrics, any sign of their previous 'pop' sound was gone, and it is wonderful IMHO.

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  13. Cardiacs - A Little Man and a House and the Whole World Window. My first exposure to Cardiacs was a live gig, they were magnificent. A few years later their first album A Little Man and a House and the Whole World Window was released, playing it just wasn't as good as seeing them live. However months, maybe a year later it clicked as a home listening experience - all their albums are great.
    Below, three and a half minutes as an introduction for those who may be curious or brave enough - click it with enthusiasm.

    https://www.youtube.com/watch?v=dodxYkBEyV8

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    1. Amazing band - I recommend "Sing to God". Ex-Cardiacs guitarist Jon Poole used to be local where I was and his band Ad Nauseam gigged a few times. Albert Lee did a show and AN were the support band and people just stayed in the bar. They missed a real treat.

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    2. Anyone wants to screed the Cardics, go write ahead. I KNOW NUTHIN'.

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    3. Sing to God was my re-introduction to Cardiacs after five or six years where my work got in the way - I thought they had broken up. I never saw Ad Nauseam, but did see Jon Pooles band Goddamn Whores support Cardiacs on their last tour.
      Coincidentally spotted this excellent article after posting my Cardiacs comment.

      https://thequietus.com/articles/31719-tim-smith-cardiacs-strange-world

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    4. Poole's one of those guys who'll try anything.
      Have you heard the Downing Poole stuff?

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    5. Dowling Poole "The Sun is Mine" is several XTC tracks in one dose. Don't really care for the rest of the first lp, though. Jackdaw4 has some good stuff.

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  14. Love Jan & Dean; just love 'em.

    Album that took a while to sink in? Sgt. Pepper. Why not? I was a stupid junior high school kid.

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  15. "Didn't like" is too strong a word, but I was heavily disappointed at first in Kings of Leon's Come Down Sundown, then grew to love it to the point where I think overall it's probably their best album.

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    1. I could never get past their facial hair.

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    2. They sure had some questionable hair cut/beard choices, especially Caleb.

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  16. On the first few listens, I didn't like 'Exile On Main Street'. To my ears, It sounded like a muddy mess. Once it "clicked", it became a favorite muddy mess.

    Radiohead's Kid A took some time to click

    Ornette Coleman's entire discography...

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    1. Exile and Kid A seconded. The first time of "Exile" I was thinking "THIS is what all the fuss is about?!"

      Kid A I still don't get. I probably listened to the entire thing twice or thrice. That taught me to not blind(ish) buy after reading 5-star reviews and listening to 30-second snippets on a listening station.

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    2. I still prefer Goats Head Soup, am I wrong. Ok I must be, but I play it more than Exile.

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    3. No-one is right or wrong, as all of this is so subjective. To me, Goat's Head Soup is the Stone's most underrated album, and one of my favorites.

      Here’s a link(s) to the best sounding version you’ll ever hear of Goat's Head Soup. This is the Torn & Frayed / Mickboy version called ‘Dancing So Free’, and it is nothing short of KILLER. I’ve left the files in FLAC, because they’re that good. Also, the five links will download quicker than you can say: “Farquhar Throckmorton III” ten times fast. Clicking on the first one will unpack all five, and put them into one file.

      Play it LOUD

      https://mega.co.nz/#!OJNDgLZJ!M_On-w-8z3jRfnqIm2icOz40XFM-4OaA8HOtjY34CKw

      https://mega.co.nz/#!KJ1VgJob!VrHCVDDvMVC8fCGvSiAY9nFqCnBzsQEC-VL19ncpFLk

      https://mega.co.nz/#!3NdUWJ7T!WDAKlhU0DEzCGQMDc25eCiaDilpCnLOY4jRkTz4cJuU

      https://mega.co.nz/#!7A8RhRRL!deKk8mTjLNBsVrOe1TZU8TK23Ot2JAG3IK071cHv01c

      https://mega.co.nz/#!HBMwyaDJ!c53gvBc4mhs4YQORsAIV8jpO_8MJRVFXTgLii4wTRuE

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    4. Yes, Babs, Mickboy has produced some really fine "remasters" and GHS is definitely one of them. Many thanks for this upgrade!

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    5. Thanks Babs, I've heard good things about Mickboy masters

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    6. Oooooh, it's got extra tracks, yummy.

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  17. ditto on exile.

    it sounded like it was overdubbed by random passersby.

    i was young and stupid.

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  18. The first Ramones LP. I'd been paying attention to the rumors coming out of New York about a new scene, and had bought the first release from it in November '75...the Patti Smith album. Which...while very different from the Bay Area post-hippie hangover music I'd been listening to (Quicksilver, Dead, Neil Young, Van Morrison...) still slotted into that vibe: Patti was a dionysian poetess, the music was jam-session length excursions, there was a nod towards reggae (just like on Clapton and Paul Simon records), and she showed her good taste with a bit of Them's Gloria (in the post-Nuggets era, good tasted in garage music was important).

    But in April '76, the week it came out...I bought that first Ramones LP and didn't know what to make of it. They clearly didn't want to be poets, one song was a single sentence repeated over and over, and a Chris Montez cover? And the songs were short! I mean....truncated, abbreviated, over before they'd begun to develop...and the music? THERE WAS NO LEAD GUITAR!

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    1. It took me about two weeks...but I got it. Not only did I get it, but I figured that in spite of knowing nothing about music technically...I was going to start a band.

      And I did, although most of 'em were just us noodling around in the garage with a lot of beer and drugs. But six year later, I played the Mabuhay Gardens.

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  19. Jan & Dean - best track ever In my humble opinion is Schlock Rod Part Two. The lyrics still make me smile.

    Schlock Rod! Schlock Rod!

    I own a '48 Buick and it's olive green
    Schlock Rod! (Oooh! Oooh!)
    All the kids on the block say it sure looks keen
    Schlock Rod! (Oooh! Oooh!)

    There's big chrome stars on the side of the hood 
    And those six extra taillights sure look good! 
    Schlock Rod! Schock Rod!

    I, er buy all my car parts from a mail-order house
    Schlock Rod! (Oooh! Oooh!)
    And everybody says my car is sure Mickey Mouse
    Mickey Mouse! (Squeak Squeak!)

    I got lights in my wheel wells and Portawalls
    I burn cheap gas and she always... stalls
    Schlock Rod Schlock Rod
    I got one big truck tire that's low on air
    (That's cool! Cool! Cool!)
    Makes her sit a little lopsided, but I don't care!
    Schlock Rod! (Squeak! Squeak!)
    I got twin antennies with a raccoon tails
    Spare in the trunk, well, it's full of nails
    Schlock Rod! Schlock Rod! 

    Look at us go
    Goodness gracious, we're traveling fast!
    Schlock Rod
    Zippity zip down the street
    Schlock Rod! (Squeak! Squeak!)
    (You betcha, Red Ryder... Follow me, Muscles)
    Schlock Rod! (Squeak! Squeak!)
    Race that Honda
    Don't wind her up too much
    Oh, oh, oh oh Take him!
    I can feel the vibrations
    We're gonna take off, I bet you
    I wouldn't bet you...

    And the hated on first listen but loved later album spot goes to ... Anthem Of The Sun - Grateful Dead.
    So International Times reviewed it when it came out and said something along the lines of it being the neared to having a trip without actually taking acid.
    So I saved up my pennies and bought it, probably from that cool record shop in South Moulton St. Got it home, played it. hated it. But, hell it cost me a lot of money, so I played it many more times, and then it got me. Still one of my all time favourite albums. My Dad NEVER liked that one, which was a sort of plus!

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  20. Thought of another one, but it's an artist, not an LP. I did not "get" James Brown when I was young. But now I listen to James Brown at least once a week. Singles, not albums....but he's got dozens of 'em that are wonderful.

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  21. When I first heard Nick Cave, it was Kicking Against The Pricks. I thought it so outrageously lame/pretentious that I gave up on it immediately, but before returning it to the gal I'd borrowed it from, I told my best friend he had to hear this rubbish. So he was over one night and I cued it up and.....I LOVED it. To this day, I can't explain it. And it's still one of my all-time favorite albums.
    With this same best friend, years before in the local record store, I saw Public Image Limited's Metal Box, and I bought it, based on thinking it'd be collectable. When I got it home, we gave it a listen and, honest to dog, couldn't tell what speed it was supposed to be played on; it was that foreign to us. But I kept it (It was collectable). A few years later that buddy introduced me to Joy Division, which I fell in love with immediately; I go back to hear Metal Box and goddamn if I don't absolutely love it, too. I still sing to myself a good 1/3 of the songs off it on a regular basis, and that ratio likely surpasses any other album I know.
    Finally, I made fun of Dylan for years as a pretentious hack who couldn't sing, and even after seeing him live (when he toured with Tom Petty, who was the draw for me) and recognizing many of the songs, I still held to my view. Then one day I'm at my oldest brother's house and he has the recently-released Biograph. I'm looking at the song titles and recognize a bigger number than I'd expected. I have already the Animals' version of Baby Blue (from one of their comeback albums), and love it, so I decide to see what Dylan's original sounds like but somehow I cue up a different song (I don't remember how/what, as I wasn't familiar with CD players yet), and I am transfixed by whatever it was. So I keep playing the discs, and I get my epiphany. The very next girlfriend happens to be a Dylan uberfan, so her collection allows me to explore in the deep end and my interest and appreciation has not waned.
    C in California

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  22. Didn't like my first listen to "Moondance" by Van Morrison. It has a very particular association, with a trip my family took to the (then-new and hardly built up) campus of University of California, Santa Cruz. As near as I can tell, the album was brand spankin' new when someone put it on the record player in a student-run cafe on the campus. The family was there to check out the area, because my dad was going to teach a "History of Science" class to undergraduates - his appointment was as a researcher at UCLA, and he never taught nothing back then, so it was a pretty big deal.
    Strange thing, though: my sister had an acute allergic reaction to the large Redwood trees that were (and still do) in groves around the campus. We hightailed to the cafe, where I think the only trees were Eucalyptus.
    Now, I was anything-but-hip to the music scene. But in my eleven-year-old mind, the singer was the epitome of trying-too-hard-to-be-hip himself, maybe trying to sound "black?" So, I didn't like it, and I remember taking a good look at the cover, to "inoculate myself" against listening to it again.
    Of course, when I went to college, I listened to it, and liked it! I guess I grew a bit in the six intervening years?
    Interestingly enough, an album I have listened to, but still don't get, is "Astral Weeks." Good concept, but ... meh.

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  23. As advertised, here's Lupine Assassin's loadup of the T.A.M.I. show!

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