John Hammond - the legendary John Hammond, as we always have to remind ourselves - signed Springsteen because he thought he heard the New Dylan. He liked the prolix troubadour, not the rock n' roller who'd been building a rep as a viscerally exciting performer since the late 'sixties. So the first album, Greetings From Asbury Park, is a compromise between what Springsteen (and his fans) wanted and expected, and what John Hammond wanted, and it's forever flawed as a result.
So what we have here is, sorta kinda maybe, the album Springsteen might have made, had he not had to accede to Hammond's well-meaning authority. Out go the angsty Guthrie strums, and in come the band compositions cut a little later and passed over for The Wild The Innocent And The E Street Shuffle. This isn't such a cheat as it looks on paper. The Wild is a perfect album, impossible to improve by addition or reduction or tweaking or a new cover. It is a masterpiece, and the rejected tracks didn't make the cut because they're not quite up there. Sonically, their thinner sound is more consistent with Greetings, and some of the lyric and melodic ideas resurface to greater effect on the third album. And guess what. Their incorporation creates a fantastic first album, twelve songs, each side finishing with an epic. It's like this was meant to be, and now it is. It captures the boardwalk strut of a rock n' roll band about to make it big, having the freaking time of their young lives, and I'll take this over anything post-Born To Run. And in a way it completes a seasonal trilogy; spring to the summer/fall of The Wild The Innocent And The E Street Shuffle, and the winter of Born To Run.
I've kept to the rules of using only tracks that Springsteen deemed worthy of release, and avoided the many bootlegs from this period. This isn't an archivist's complete recordings project - fooey on that - it's a playable album, one I'd have worn out. That track list in full (click for big):
Note: I've been focussing on the Boss maybe a little too much. But this turned out so swell I had to put it up fer youse bums. We'll give him - and you - a break for a while, but there's more to come.
A Stealth Link© will be embedded in my next comment, which I'll add as soon as I swilled th' outhouse.
ReplyDeleteAny alternative to the released version of 'Greetings from Asbury Park' that jettisons "Mary Queen of Arkansas" is a positive in my book.
ReplyDeleteGbrand
My memory is that Mary Queen of Arkansas sounds kind of psychedelic, but oh well.
ReplyDeleteKids, let this be a terrible warning to you. Don't do the drugs.
DeleteI've always liked "Mary Queen of Arkansas" with its empathic first-person fiction (Bruce's strong suit) and his use of the circus as a metaphor.
DeleteYou're in good company - so did John Hammond.
DeleteIt's an interesting song.
DeleteThe harmonica solo could have been played by Ornette Coleman, Don Cherry, Archie Shepp or Pharoah Sanders.
They played harmonica?
Delete"Yeah right, they played harmonica," said Babs sarcastically.
DeleteThey were, like, in a harmonica band? *sarcasm entirely lost*
DeleteJust a click away.
ReplyDelete.
MMMMMMPH!!
DeleteI heard that.
DeleteLove the pre-Born-in-the-USA Bruce. Having seen him a couple times in the Philly area in 1973, this compiled rekkid brings out the best of what I remember. Thank you, sir.
ReplyDeleteYou're very welcome. May I call you Mad Dog?
DeleteTook me a while, but now I get it. You may, but I am not that Mad Dog. He may not have had the skill that Max has, but he was quite the showman.
DeleteHis looser style was perfectly suited to TWTIATESS - Weinberg never had that touch, although he was perfect for BTR (except the title track - whatever happened to Boom Boom?)
DeleteHe sounds as if he's having fun!
DeleteA very good idea and a very fine cover to go along with (I've just seen the b/w while flipping through Brian Hiatt's big book about Bruce's songs that my wife got me for my last birthday).
ReplyDelete"Greetings" is an album that I almost never play, this version should probably get more spins.
As for your rules (which are fine), and especially the tracks Springsteen "deemed worthy of release"...I don't think some of his unreleased outtakes are worse than what he decides to publish, even on archival releases. He seems to put out stuff at times that he feels should come out, then maybe we get another batch a couple of years later, but the decision of what he puts out and what stays in the vaults seems somewhat arbitrary.
ReplyDeleteI agree on "The Wild..." being perfect as is, and I can see why a song like "Evacuation of The West" (aka "No More Kings In Texas") wouldn't fit into that framework. It still is an absolutely magnificent piece of business and I wish he would've thought of including it on "Tracks" or another release.
I get why some folks aren't into outtakes or boots, even when I find them endlessly fascinating. And you can quickly lose yourself in that stuff.
Still, some stuff is must-have, even for only semi-interested folks.
Here's a 4-Track 'EP' with "Evacuation", fantastic live versions of "Incident on 57th Street" and "Rosalita (Come Out Tonight)" and a live version of "Wings For Wheels", the original version of Thunder Road with an entirely different set of lyrics.
https://workupload.com/archive/cRUyBTDB
Even if you're not some kind of Bruce superfan, you should have these four...
Thanks, OBG. I was a great fan of Springsteen bootlegs, bought the first (Jersey Devil) and the great doubles (You Can Trust, and I forget the other). I still play the Main Point sets. I agree that some of his best songs remain unreleased, but for the porpoises of the Recovery series I'm uncharacteristically concerned about sonic consistency, and you can generally tell a boot when you hear it. Incidentally, the Tracks tracks are massively brickwalled, and I had to quieten them down on this album so they didn't shout at you.
DeleteYeah, volume adjustment is a bitch. I'm doing quite a bit of my own compilations and as soon as you have different sources, even just different CD editions from, say pre-2000 and anything post-2003, and the difference is just massive. Audacity is helpful, but sometimes you're going crazy trying to have a nice, unified sound and volume.
DeleteAh, the original "Jersey Shore" cast from the original 1973 pilot. I can smell it from here (holds nose while clicking on link). I know I'm going to regret this in the morning
ReplyDeleteYou and your smart friends.
DeleteThere's a joke that is credited to Gilbert Gottfried, that he stole from either Myron Cohen, Lenny Bruce or Shelley Berman.
DeleteA young couple were making out passionately in a car when the girl said, ‘Oh, oh, kiss me where it smells!” So he drove her to New Jersey.”
I guess this wasn't on a “summer's eve”, if you know what I mean.
Would have been easier just to kiss her armpit.
DeleteSometimes the jokes write themselves.
DeleteGo ahead - belittle my Craft.
DeleteYou, Sir, are a master of your craft.
DeleteAm I the only one who can't find the link?
ReplyDeleteIf it's any comfort to you, Irmene and Gaylord Anstruther, Tinville CT can't find it either. "Fuck dis!" said Gaylord yesterday from his double-wide, "I'm goin' down th' pool room instead!"
Delete@John, Why, yes, you are. Your paranoia is justified. We all got the memo about keeping this info away from you.
Delete--Napoleon Solo
As they say in over in "Jersey": fuggedaboutit.
DeleteThanks for your help...
DeleteFarquhar Throckmorton IIISeptember 4, 2021 at 7:10 AM
DeleteJust a click away.
.
Thanks for that Farq. I guessed that the link is Just a click away, but clicking on either of the dots doesn't provide the desired result. Never had this problem before. Oh well...
DeleteThe link is still good. There's only one link to click, as advertised, in the comment that's quoted. Don't click the quote. Without flying over to hold your hand, there's nothing else I can do. My work here is done.
DeleteDoes anyone else think Bruce looks emaciated in the picture?
ReplyDeleteAgreed, everyone thinner back then, but his head looks entirely too big for his body.
DeleteOn my only visit of The USA in 2000 it was striking how much bigger most Americans were to us scrawney Brits. However 21 years later I believe we are catching up. Average weight of American male in 1970, 169 pounds, in 2020, 200 pounds.
ReplyDeletenow some of us are nuts for springsteen [cant say as i am]
ReplyDeletebut i am nuts for attempts by amateur nut/lyricists and seasoned pro schlockmeister/geniuses of nonsuccess like rodd keith who happened to record a spookily prescient songpoem called "13 Marines":
https://www.youtube.com/watch?v=oZYOo-55q3U
if i were to contribute a piece to this place it could be a paean to this genre of pop, which i got heavily into a few years back
[someone called poor Rodd [rip] the phil speck/joe meek/b wilson of this veddy amedican fartform!
Let's do this, people!
Delete