Wednesday, November 27, 2019

None More Nara

I was reading a review of Throbbing Gristle's Greatest Hits, and was struck by this: "[they] suffered endless persecution from the British government because of their wild ideas." Oh really? Pardon my mirth. The idea of this privileged bunch of middle-class nuisances toying with the "shocking" edge of the avant-garde being endlessly persecuted by anybody but music lovers is laughable - and not in a funny way. And if they really wanted a "wild idea", how about this? Write a fucking song. But no; the Throbs were/are too busy deconstructing and being ironic and polemical on our asses to debase themselves to show-biz levels of professionalism.

Which brings me to Nara Leão. There's a fantastic story behind this album - about real persecution - that I'm too lazy to paraphrase, and it's too long to copy-paste. Being the in-demand swell that you are, you probably don't have the time to read it, but you can at least listen to the album. It's not Throbbing Gristle, but hey ...

8 comments:



  1. And here's the music.





    (There's another link in the piece I linked to - but my version is programmed differently)

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  2. Merci Senor! I am familiar with the issues musicians had in Brazil in the 60s, but only have a fleeting familiarity with Leao. Looking forward to this curing that problem. Happy Thanksgiving from the un-United States.

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  3. Any flat mate of Caetano and Gilberto is a flat mate of mine! Somehow Naro unlike most of the other Bahian bohos slipped beneath my radar so thank you much for the introduction.

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  4. Thank you very much (for both the article and the album).

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  5. The original double album, as the article notes, has one album "unplugged", very stripped down, and the second album sweetened with subtle arrangements. My version has the tracks shuffled so a "solo" track is followed by an ensemble piece, and to my ears it's a better listen.

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    1. Your version is sublime.

      Thank You, Mr. Throckmorton!

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    2. That's well of you, M. Cat, but to be fair it's Nara Leão's music that's sublime. She sure is some hot tamale, as they say over there in Viva Espagna!

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