Friday, July 16, 2021

Psychfan's Trip O' Th' Week Dept. - Two From Tom Wilson

Wilson far left,  far out


 

By 1968 [Psychfan writes] record producer Tom Wilson had done an enormous amount to shape the counterculture. He had:

- Taken an acoustic track (Sounds of Silence) from a flop LP by Simon & Garfunkel, added an electric band and turned it into a hit, thereby re-creating S&G as a big name act and making a large contribution to the 1965 folk rock boom.
- Produced three early albums by Bob Dylan, including Bringing It All Back Home, as well as Dylan's next single Like A Rolling Stone.
- Produced the first two albums by The Velvet Underground.
- Produced the first two albums by Frank Zappa, as well as signing him to his first major label.
 
Some have attributed much of this to luck, being in the right place at the right time. I don't believe that anyone has that kind of luck and I attribute it to vision and talent. Wilson had been a jazz producer prior to the mid sixties and helped to shape some of the most innovative rock music being made at the time.
 
Here are two albums he produced in 1968, when he was spending just about all of his time producing psychedelic LPs, many by unknown bands.

One of those was the sole release by the psychedelic blues band Fear Itself, fronted by the recently deceased singer/guitarist Ellen McIlwaine. I don't have much to say about the production on this, which is pretty straightforward.  The music is a very good example of the genre and McIlwaine [with Tom, left - Ed.] makes an impression.
 
When Eric Burdon created a new version of the Animals that played psychedelic music he took a lot of crap from conservative rock critics who objected to his departure from the straight up Blues and R&B of his earlier work. I think that the psych LPs he made as Eric Burdon & the Animals were uneven at times, but he took a highly original approach to the genre and succeded more often than not at what he was attempting.
 
Tom Wilson had produced the last few albums by the original Animals and was a natural choice to continue with the new band. This one, The Twain Shall Meet, has the hit singles Monterey and Sky Pilot but rewards your attention throughout.

17 comments:

  1. Here's Psych's linkage:

    https://www.mediafire.com/file/7pxgkvuzcatfdp0/The+Tw@!n+Sh@ll+Meeet.rar/file


    https://www.mediafire.com/file/v76mc97yooh9ddu/Fe@r+!tsellf.rar/file

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  2. we seem to think that in those days the only job of a producer was to tell the engineer to press the record button.

    modern "producers" have the enormous job of having to listen to countless hours of great music so they can decide which artists records to steal in order to cover up the fact that they and most of their "artists" contribute nothing but the need for a remix of a remix ad infinitum. what a LUCKY guy wilson was that he worked with so many engineers who knew the location of the record button.

    no one has the kind of luck attributed to wilson. the 20th rate critics who deny him his due can go fuck themselves. but i doubt they will ever recognize the proper hole.




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    Replies
    1. Let's look at it this way - if Wilson had been white - with that track record - he'd be acclaimed as a vital creative force, a mover and shaker, with maybe a touch of genius.

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    2. Until this VERY MOMENT, I had always ASSUMED that Tom Wilson was a producer from the English/Irish Northern European side of things. Not even south of the Alps like my people... I'm in "Wait. What.... WHAT?!?! SAY THAT AGAIN!?" mode.

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  3. Thanks Psychfan! Fear Itself is quite scary. Veers from almost straight blues on track 1 to fierce fuzzbass action and heavy prog vibes by track 4. And good call on Tom Wilson. He’s down as executive producer on We’re Only In It … with a sleevenote identifying him in that centrefold pic. Seems like Frank musta learned a trick or 3 from Tom and appreciated it.

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  4. I didn't mention the first full length LP by Sun Ra, the Blues Project LP Projections and many more. I read recently that there is a Tom Wilson biopic in production.
    Excellent work from the Isle 'o' Foam photo research department, BTW.

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  5. Thanks PsychFan! That's a great bit of history there that I was unfamiliar with so I very much appreciate you sharing your knowledge as well as this music

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    Replies
    1. Thanks for this comment MrDave. Sometimes I feel a little foolish saying things that I imagine everyone here knows already.

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    2. Don't worry about that. This is the internet, which knows everything about everything. Informing people was never high on the agenda on th' IoF© - it's just a way of passing time agreeably. And your pieces do that!

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  6. Morning chaps!!
    Stumbled upon this here blog in my cyber travels, thought you fine gentlemen might find a thing or 3 to your liking, enjoy!! http://shorsnatka.blogspot.com/

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  7. https://variety.com/2021/film/news/bob-dylan-velvet-underground-producer-tom-wilson-documentary-1234993159/

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  8. I was 12 years old, living 30 miles east of San Francisco in an agricultural town going from 5,000 to 50,000 in five years. However, even at THE TIME, I though...what the HELL is he talking about? "A warm San Franciscan night? Uh...this won't work for everyone, as at night the satellite gets blurry....but here's San Francisco in the summer: https://fog.today/

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    Replies
    1. It must be warm sometimes...........(says the ignorant Easterner).

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    2. Yeah, but it's a rarity. It would hit 95 and the S.F. Chron would have a headline "HEATWAVE GRIPS CITY." The Interwebs say, "Over the course of the year, the temperature typically varies from 45°F to 72°F and is rarely below 39°F or above 83°F." I'll grant you that 83°F counts as warm, so Mr. B wasn't wrong...but if you come visit, bring a sweater. :)

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  9. Sadly, unlike the Producers, and artists today Wilson most likely would turn down an award for his skin color....................

    Cheers,
    oBeyGravity

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