Appreciating Dennis Wilson's work in the context of the Beach Boys is like (some suitable metaphor here, please). It's scattered far and wide and deep. But gathered together, as this collection shows, it's a far more impressive œuvre [Fr. - egg - Ed.] than you might have thought. Or at least I might have thought. There's a hefty double album of material that's astonishingly consistent in terms of quality.
Swell new cover!
For Brian, there was nothing more important than music. Nothing. Ever. But Dennis liked getting out there (in every sense) and doing stuff (in every sense). He was, famously, the only surfer in the group. Given the choice of (and excuse me, ladies) draining down into a teenage groupie or sweating over another take in the studio, he listened to his dick. It's surprising he found the time to produce such a body of work in such a short time, and of such artistic value, when there were so many, uh, distractions.
His talent seemed to emerge fully formed with the deceptively slight Little Bird, and there's not a song here he doesn't invest heart and soul into, or remains unrealised. From the delicate and subtle (was there ever a song as evocative as Steamboat in anybody's canon?) to the overpoweringly emotional, he's an artist without peer. Nobody else wrote like this or sounded like this. He let his demons out in his music as in his life. It's unfortunate that he encouraged them, because they never let you alone, and you die unhappy. But his art is the whole man - romantic, blatantly sexual, and occasionally terrifying - and the world is richer for it, and for him.
A note on the content: nothing pre-Little Bird, no Pacific Ocean Blue/Bambu material, no demos/incomplete/backing tracks.
ReplyDeleteA note on the cover: Dennis in a different light. A great artist taken seriously.
A question: why the fuck hasn't this been released? Double album, one CD.
I've sweated over this, tagging and re-shuffling, getting the cover right. If I've left anything out you think should be in, let me know, although I reserve the right to ignore your suggestions!
(Stealth Link embedded in above text)
Er, how do I find the stealth link? Too stealthy to stealth.
Delete!
DeleteThanks for this (although I HATE stealth links as I’m never bow to find them!)
ReplyDelete!
DeleteThanks, sir!
DeleteWhat a beautiful write up, Farq, for a beautiful, if extremely messy artist.
ReplyDeleteIt was increasingly clear in the last halfway relevant years of the band (the late 1970s) that Dennis was the soul of the band. Which also explains why he said "fuck this shit" during "Keep The Summer Alive" and left. It's soulless, empty, fake bullshit. Everything Dennis and his music was not.
Oh, and thanks for this comp. I wanted to do one like that years ago and never got further than the planning and gathering song stages, so now I can just reap the fruit of someone else's labor.
ReplyDeleteShould be in: Barbara (from the recently posted Endless Harmony comp)
ReplyDeleteShould maybe not be in: I know you love the track (and so do I), but "Steamboat" sticks out as it is as far as I can see the only song not sung by the man himself.
Barbara is a work in progress (or sounds like it), and lacks the production to put it up there with the rest. Steamboat is Dennis' song (lyric Jack Rieley) and he sings under Carl's lead. If Day In The Life Of A Tree is a Brian song - which it surely is - then Steamboat is a Dennis song.
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DeleteFine by me as far as logic goes, though I never heard Dennis' vocals under Carl's lead?!? You mean he's singing background or he's singing the lyrics, but he's buried in the mix?!?
As for Barbara: For me, it doesn't necessarily sound less produced then "Be Still" or "A Time To Live In Dreams", but hey, your taste, your comp, your criteria.
Farq, this is brilliant. Some years ago I did make a compilation of both Carl and Dennis's contributions, but only from LPs I did not have in full, so this is much appreciated. As for demos etc, I do have 2 CDs worth, though I no longer remember their provenance, which include the (put your own adjective in here) Cocaine Tapes.
ReplyDeleteIf anyone wishes to hear these, just ask.
Thanks, Sam. I already have more demos than I will ever listen to, but if anyone else puts their hand up ...
DeleteI'll always put my hands up for demos and such, so...post away, Sam!
DeleteAnd just to be Wiseass McWisenheimer: "Angel Come Home" is a Carl composition, not a Dennis one, but you can surely argue that he makes it his own with his inimitable style...
ReplyDeleteUh-huh. And if I left it off some wisenheimer would be saying it should be included. Probably you.
DeleteThe idea is an anthology of Dennis Wilson tracks that fall under the heading: Songs Of A Beach Boy. It's not a catalogue raisonnée, or an academic exercise in musicological exactitude. By all means edit and reshuffle to your heart's content!
Yeah, sorry, didn't want to nerd out, I thought the guiding principle was all Dennis compositions, but it doesn't really say that anywhere and even if it did...we can all compile to our heart's desire.
DeleteIn stark contrast to OBG who makes an entirely valid point above I want to be an annoying fly in the ointment misanthrope and harp on the same tired and irrelevant point made in a previous post that "Never Learn Not To Love" is .... never mind. I'll crawl back under my bridge now.
Deletegreat work, thanx for building this one.
ReplyDeleteHey Farq, I don't wanna overstep: Are you okay with posting my alternative version of "Holland" here?
ReplyDeleteThat's supposed to read "me posting..."
DeleteGo ahead!
DeleteHe means sail on sailor!!!
DeleteAfter all of this discourse... I am obligated to indulge this opportunity.
I'm not sure if I've ever heard the mighty Dennis.
But, curiosity combines well with the praise of the connoisseur: farq!
Thank you, Sir. Let's head for Malibu!
Remember that there is massive symbolism on the cover of Holland!
ReplyDelete(Mainly, the boat is already upside down!)
Only just now did that have ANY significance to me. I bet it was Brian's idea. He had many a boat anchor on his shoulders!
Note: Could 'Sail On' be the lyrical inverse of 'Surf's Up'???
Does Holland really mean 'Lland-ho'?
ReplyDeleteOnly your hairdresser knows for sure.
DeleteSo for my alt version of "Holland", it's not so much about throwing out crap (because there isn't any), but put stuff on there that arguably should have been or stayed on it. "We Got Love" got dropped at the last second to 'make space' for "Sail On Sailor" (it turned up on their really good - make that only good - live album the following year). "Carry Me Home" is for me one of their best ever outtakes, it's a shame they never completely finished it and the sound is a little rough. And "Hard Times" is a fun little rocker from the Chaplin/Fataar team that was about as rocking and funky as the Boys ever got.
ReplyDeleteIn my version of Holland "Leaving This Town" gets voted off the album for time and credits reason (as is, Fataar/Chaplin get two and a half songs), but "We Got Love" stays on, "Carry Me Home" gets its rightful spot as album closer and in a spur of the moment decision they also decide to include "Hard Times" to pep up side one.
In my version the Boys also veto Brian's fairy tale crap, but the record execs and Mike the mercenary realize that any album with a real Brian Wilson track will get more cred and more eyeballs, so they edit his fairy tale composition and create a short Brian Wilson 'song' called "Pied Piper".
Oh, before I forget: As a bonus, you will get a world exclusive, only for the four or five guys track (whether that's a good thing remains to be seen). I thought "Carry Me Home" felt a little incomplete, so I tried to give it a slightly more epic/topical sheen. It would of course never have been published like that by the Boys. Not sure how well this worked, but hey...
Without further ado, The Beach Boys' Nether Lands
https://workupload.com/archive/rb8qVBz6
I genuflect to kiss the hem of your garment.
DeleteThanks One Buck Guy, I don't know the Holland album, but your version sounds good to me, will give it a few spins over the rest of the weekend.
DeleteCool beans -- thanks for this exclusive Deluxe Expanded Edited & Enhanced OBG Re-Mix Edition!
DeleteSBG to OBG: Dennis Wilson Miscellany
ReplyDeletehttps://workupload.com/file/NrMctM5gwWD
This is how I got it years ago. Can't remember how, a torrent, possibly. I cannot vouch for any of it, titles included. The 1st set is good, the 2nd after track 6, well, I leave it to you to decide if it's worth listening to more than once. Track 8 and onwards form the so-called Cocaine Tapes with Brian.
OBG to SBG: Thanks, buddy.
DeleteYeah, no, it's not. Cocaine doesn't always produce great art it seems...
DeleteHow odd that a rare Elton John song slipped into this.It's not like their voices are particularly alike.
Farquhar,
ReplyDeleteThat was a beautiful tribute to the Middle Son Dennis Wilson. The album you created flowed nicely and was surprisingly a good listen.
On a personal note, I had the pleasure of meeting Dennis Wilson on the State Golf
Course in Saratoga Spa, NY in July of 1978. He was dating Christine McVie at the time and Fleetwood Mac were playing at SPAC that night. Dennis was a terrible golfer, we had the pleasure of being in the group behind him. He could hit the ball a ton, but you never knew where it was going. His antics were pre 'Caddyshack', maybe an uncredited inspiration for the movie. What a great memory, miss him... he left us too soon.
Thank you kindly, Mr Golf. I'm trying to imagine Dennis on the fairway, and it's making me laugh.
DeleteJust while I'm thinking of it:
ReplyDeleteMost underrated great little Dennis Wilson moment:
the "find a ride" tag on "It's OK" from the otherwise atrocious 15 Bis Ones.
I mean the number is a blatant "Do it again" rewrite, but Dennis' tag just makes the track...
15 Big Ones? Atrocious? Gah ....
Deletejeez...I didnt get here till 2021 sometime...can I get Dennis re-up?
ReplyDeleteHave patience!
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