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| Cover laboriously restored to original glory - the best you'll see on an internet! |
You'll know veteran comedian Jimmy Durante from previous visits to th' IoF© [here and here - Ed.], but did you know he has an important role in the development of surf music? As unlikely as this sounds, it's more unlikely that you did, given your lamentable education and lack of interest in the really important stuff, so I'll tells ya! Those of you with short-term memory skills undimmed by
the passing of the years may remember the last piece to appear here a couple of days back,
featuring Michael Lloyd's tragic descent into music biz success [Here's a link so you don't have to scroll and make your eyes go funny - Ed.].
During the course of my research I learned that Lloyd's Godfather was
none other than Th' Shnozzola hisself, James Q. Durante! But wait!
There's more! But first, take a hinge at this ultra-rare piece of movie memorabilia from the collection of the late Gene Siskel:
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| Only evidence that movie ever existed! |
That was fun, wasn't it? Probably the most fun you're going to have all day, which is simultaneantly heartwarming and throat-slashingly pathetic. But back to 1963 or whenever it was. Lloyd was in the successful surfbeat combo The New Dimensions, what you ain't heared of because frankly you don't care that much about anything since your ex torched your trailer home with your Pokemon© collection still in it. But this band could actually play, looked spiffy, and got to support some major major acts, such as like f'rinstance the Beach Boys. Wow! Great Concert! And it was th' Shnozz what gifted the young Michael Lloyd with an actual Fender guitar, which was like giving him a Cadillac. Anyway, they wus dumb kids and signed a contract with a couple of feckless rubes just off the Azusa bus, ensuring no income from their three record albums, the first of which is today's FoamFeature™ Deliverable, and as far as I'm aware the only place you'll find it in this condition on the internet. It may be on SoulSuck, but so what. Who cares. Fuck those weirdos.
It's surprisingly fantastic. There's some real production imagination added to musical skill making it a cut above most surfbeat albums. As it's on the dump-bin Sutton label, there are no credits (so musicians and composers lose their royalties) and the producer's name - which really interests me - is illegibly small, bottom left front cover. William J. Something? It's in true stereo, and there's always something clever and unexpected happening, mix-wise. And it's twenty - count 'em! - fun-packed minutes long! Hoo boy!
After cutting a couple more albums, with an ill-advised Hail Mary pass at soul, the band [left - Ed.] morphed into ... ta daa! ... dese guys:
... and let me tell you, it's a crushing disappointmink. They're basically an egg n' beans blues band. Yes, they played on the Strip and were probably great fun to watch at Pandora's Box, and yes, they had top-line talent supporting them on the album - Bones Howe, Larry Knechtel, Hal Blaine, Mike Deasy, and ... Warren Zevon. And they were pretty good players and singers themselves (although Lloyd had moved on). But it's boring as waiting for a dial-up connection in Uzbekhistan. I'm not uploading it, as a pubic cervix. The New Dimensions album is better in every way, except the cover. I should mention Art Guy, who was not the graphic designer but the drummer. The graphic designer was probably Drum Guy.
This post made possible by a heatwave that's keeping me indoors, chugging ice-cold water in front of a fan (one of my many lol haha).




To qualify for th' great surfing rhythms, simply state in three words or less the greatest thing about getting old. Or one good thing.
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